November 16, 2024–April 27, 2025
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Dates
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Location
Arthur M. Sackler Gallery | Gallery 25
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Collection Area
Japanese Art
In the early decades of the twentieth century, a new generation of print artists broke from existing traditions in Japanese printmaking. While the labor of print production was historically divided among different craftspeople, these ambitious artists sought to reinvent the medium by undertaking all aspects of a work’s creation—designing, carving, and printing—themselves. This new approach to printmaking became known as the sōsaku hanga (creative print) movement, and the resulting artworks are often rough, raw, and unique to each artist’s developing techniques and abilities. Some of the most active practitioners of this new style joined the Ichimokukai, or “First Thursday Society,” organized by Onchi Kōshirō (1891–1955), whose members met on the first Thursday of every month from 1939 until Onchi’s death.
Living through imperialist expansion, wartime scarcity, and foreign occupation, these artists sought international recognition for works that captured their individualism and self-expression amid a changing world. The Print Generation presents a selection of creative prints that challenged the dominant narrative of what it meant to be an artist in twentieth-century Japan. Highlights from the Kenneth and Kiyo Hitch Collection and the Gerhard Pulverer Collection illustrate the development and evolution of the sōsaku hanga movement as well as the international reach of these artists and the depth of their relationships to each other.
Look Inside the Book
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Umi no dōwa 海の童話
FSC-GR-780.496
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Chū gyo kai 虫・魚・介
FSC-GR-780.497
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Hakubutsufu 博物譜
FSC-GR-780.927.1-2
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Nihon no yūshū 日本の憂愁
FSC-GR-780.499.1-2
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Kusa no mi tori 草の実とり
FSC-GR-780.533.1-2
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Ryōmen no kagami 両面の鏡
FSC-GR-780.532.1-2
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Furusato minwa 故里民話
FSC-GR-780.530
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Sekino Jun'ichirō hanga shū 関野凖一郎版画集
FSC-GR-780.535.1-3
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Kigan ema 祈願絵馬
FSC-GR-780.534.1-2
Video
Master printmaker Keiji Shinohara demonstrates the tools and techniques of making a woodblock print.

Video | "The Ukiyo-e Technique: Traditional Japanese Printmaking" | View on YouTube
Interactive
Reading Japanese Prints: Modern to Contemporary
View high resolution Japanese prints in our digital interactive. Explore by theme, including materiality, gender, and abstraction. Additional resources include artist biographies, a glossary, and bibliographies of key texts.

Related Publication
The World of the Japanese Book: The Gerhard Pulverer Collection
Author List: Ann Yonemura, et al.
Publisher: Freer|Sackler
Publication Date: 2014
The Pulverer Collection, acquired in its entirety by the Freer Gallery of Art in 2007, includes numerous rare and pristine examples of Japanese illustrated books produced in the Edo period and beyond. For more than thirty years Dr. Gerhard Pulverer, a renowned medical researcher in Germany, and his wife Rosemarie traveled the world and assembled the collection. Their holdings of more than 900 titles encompass almost 2,200 volumes that range in date from the early seventeenth century to the 1970s. Today the Pulverer Collection is regarded as one of the most outstanding and comprehensive collections of Japanese illustrated books outside Japan. This online publication makes this extraordinary collection accessible from anywhere.

Support
Generous support for this exhibition and the museum’s Japanese art program is provided by
Related Exhibitions
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Striking Objects: Contemporary Japanese Metalwork
March 2, 2024–January 11, 2026
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Japan Modern: Prints in the Age of Photography
September 29, 2018–January 24, 2019
Shinagawa Takumi / National Museum of Asian Art, Smithsonian Institution, Purchase and partial gift of the Kenneth and Kiyo Hitch Collection from Kiyo Hitch with funds from the Mary Griggs Burke Endowment, S2019.3.1618, ©️ Sekino Natsuki (detail)
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