November 27, 2019–October 8, 2023
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Dates
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Location
Freer Gallery of Art | Gallery 11
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Collection Area
American Art
Juxtaposing American and Asian art is a legacy of the founder of our museum, Detroit industrialist Charles Lang Freer. He believed in a universal language of beauty that resonated across time, space, and cultural diversity.
Freer’s taste in American art was formed in the Gilded Age, but he favored refinement over ostentation. In the 1890s, works by Dewing, Tryon, Thayer, and especially Whistler were admired—and sometimes criticized—as highly refined works intended for connoisseurs. By focusing on a small group of stylistically similar artists, Freer ensured the paintings in his collection “speak” to one another and reward repeated viewing by revealing “new beauties.” Look, and look again, to appreciate shared aesthetic harmonies and subtle differences.
Freer disdained the avant garde abstraction that transformed American art after World War I. He forbade additions to his American collection after his death in 1919, and it remains a time capsule of Gilded Age aestheticism. Nevertheless, it was through American art of his own time that Freer developed the habits of quiet contemplation and intelligent comparison that he hoped to share with future generations of museum visitors.
Twilight: Early Spring (detail), Dwight William Tryon (1849–1925), United States, 1893, oil on canvas, Gift of Charles Lang Freer, Freer Gallery of Art, F1893.12a-b
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Twilight: Early Spring
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Geography
United States
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Material
Oil on canvas
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Accession
F1893.12a-b
The Carnation
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Geography
United States
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Material
Oil on wood panel
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Accession
F1896.33a-b
Nocturne: Blue and Silver--Battersea Reach
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Geography
United States
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Material
Oil on canvas
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Accession
F1902.97a-b
Nocturne: Grey and Silver--Chelsea Embankment, Winter
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Geography
United States
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Material
Oil on canvas
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Accession
F1902.143a-b
Symphony in Grey: Early Morning, Thames
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Geography
United States
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Material
Oil on canvas
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Accession
F1904.50a-b
Monadnock in Winter
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Geography
United States
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Material
Oil on canvas
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Accession
F1904.359a-b
The Piano
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Geography
United States
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Material
Oil on wood panel
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Accession
F1906.66a-b
Frame for Dewing's The Piano
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Geography
New York, New York, United States
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Material
Gilded wood
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Accession
F1906.66b
The Mirror
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Geography
United States
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Material
Oil on wood panel
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Accession
F1907.168a-b
Early Evening
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Geography
United States
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Material
Oil on canvas
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Accession
F1908.14a-b
The Red Cow
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Geography
United States
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Material
Oil on wood panel
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Accession
F1908.25a-b
Nocturne: Trafalgar Square, ChelseaSnow
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Geography
United States
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Material
Oil on canvas
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Accession
F1908.169a-b
Nocturne in Blue and Gold: Valparaiso
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Geography
United States
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Material
Oil on canvas
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Accession
F1909.127a-b
Landscape with Goats
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Geography
United States
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Material
Oil on canvas
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Accession
F1913.46a-c
The Weavers
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Geography
United States
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Material
Oil on canvas
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Accession
F1913.59a-c
Monadnock No. 2
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Geography
United States
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Material
Oil on canvas
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Accession
F1913.93a-b
The Garland
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Geography
United States
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Material
Oil on canvas
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Accession
F1916.360a-b
Breakfast in the Loggia
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Geography
United States
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Material
Oil on canvas
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Accession
F1917.182a-b
Portrait of Mrs. Brush
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Geography
United States
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Material
Oil on canvas
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Accession
F1917.188a-b