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Title: Seated

Type: Sculpture

Associated Religious Tradition: Hinduism

Origins

  • Geography: India, Karnataka state
  • Date: 12th–13th century
  • Period:

Physical Properties

  • Material:
  • Dimensions: H × W × D: 88.6 × 53.7 × 33.7 cm (34 7/8 × 21 1/8 × 13 1/4 in)

Crediting Information

  • Collection: Arthur M. Sackler Collection
  • Credit Line: Gift of Arthur M. Sackler
  • Accession Number: S1987.960

The Hindu god is widely revered as the scribe for the great ancient epic, the . The story relates that when the sage Vyasa began composing the text orally, the elephant-headed Ganesha generously broke off his own tusk to use as a pen. To this day, students write Ganesha’s name on their coursework to ensure success. Devotees also associate the benevolent god with good beginnings, abundant harvests, and overcoming obstacles.

Ganesha is the son of the god and the goddess . Parvati created Ganesha while her husband was away. She took a bath and asked Ganesha to mind the door. Upon his return, Shiva was startled by the boy—who staunchly refused Shiva entry to his own home—and, believing him to be an intruder, Shiva cut off Ganesha’s head. When Parvati emerged, Shiva recognized his error: This was his son!

To restore him to life, Shiva replaced Ganesha’s head with the head of the first animal to walk by, which was an elephant. Ganesha, therefore, is represented with the head of an elephant and a portly human body. Elephants are mighty animals with the size and strength to remove physical barriers, hence Ganesha’s key role as a remover of obstacles. Ganesha’s rotund belly represents his love of sweets and the sweetness of life.

This sculpture of was produced during the reign of the Hoysala kings. The dynasty ruled from the mid-eleventh to mid-fourteenth centuries in much of today’s Karnataka state in southwestern India. Hoysala temples are famous for their elaborately carved surfaces, which abound with floral and geometric imagery covering every space between deity images. Carved from , a stone that is soft enough to allow for detailed carvings and embellishments, the temples are highly ornamental and robust. Hoysala temples had sculptures of figures on the outer walls for viewing by devotees who circumambulated (ritually walked in a circle around) the temple.

Sculptures are also enshrined in the interior of the temple. This sculpture most likely occupied a specially built shrine in the entry hall (ranga-mandapa) on the western side, facing east, next to the principal deity (either or ). In each of his four arms, he grasps an item of great significance. In his right upper hand, Ganesha holds an axe. This weapon is used to cut bonds and to destroy obstacles for devotees. In his lower right hand, he holds his broken tusk and makes a , a ritual gesture of blessing. His trunk curves to taste a container piled high with sweets, balanced in his lower left hand. His upper left hand grasps a lotus flower, a symbol of purity, and his tall crown reminds us of his regal importance despite his whimsical appearance.

remains a dearly beloved and popular deity in Hindu traditions throughout the world. Celebrated during his annual birthday festival, , he is also regularly worshiped at the beginning of a wide range of new endeavors, including the school year. For the ten-day Ganesha Chaturthi festival, images of the elephant-headed god, both monumental and tiny in stature, are carried in grand processions or carried personally to the coast, where they are ultimately submerged in the sea.

  1. How would you describe Ganesha’s pose? What other features of stand out to you?
  2. What is Ganesha holding in each hand? What could you do with each of the items he is holding? How might he use these objects? What are some of the meanings of these objects in Hindu traditions?
  3. Compare this Ganesha with another sculpture from the Hoysala period, the Celestial Dancer. What characteristics of these two sculptures are similar or different? What other objects or sources would help you interpret this image?
  4. How did the sculptor take advantage of the softness of to create this image? What aspects of the sculpture are particularly beautiful to you, and why?

  1. What is special or unique about among Hindu deities?
  2. Why are festivals an important part of the religious and cultural lives of communities?
  3. How do religious stories evolve or change across time and place?

Asian Art Museum. “Beliefs Made Visible: Hindu Art in South Asia.” Smarthistory. https://smarthistory.org/beliefs-made-visible-hindu-art-in-south-asia-2-2/

Dehejia, Vidya. Indian Art. London: Phaidon Press, 1997.

Harle, J. C. The Art and Architecture of the Indian Subcontinent. New Haven, CT: Yale University Press, 1994.

Kasdorf, Katherine E. “Hoysaleshvara Temple Halebidu.” Smarthistory. https://smarthistory.org/hoysaleshvara-temple-halebidu/