Medicine Buddha Bhaishajyaguru (“Master of Healing”)

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Title: Medicine Bhaishajyaguru (“Master of Healing”)

Type: Sculpture

Associated Religious Tradition:

Origins

  • Geography: Indonesia, Java
  • Date: 8th–9th century
  • Period: Central Javanese Period

Physical Properties

  • Material: High tin bronze
  • Dimensions: H × W × D: 31.1 × 18 × 18.2 cm (12 1/4 × 7 1/16 × 7 3/16 in)

Crediting Information

  • Collection: Arthur M. Sackler Collection
  • Credit Line: Gift of Ann and Gilbert Kinney
  • Accession Number: S2015.25

Bhaishajyaguru, literally the “Master of Healing,” holds a significant place in and Buddhist traditions, which revere other Buddhas in addition to , the Historical . Originating in northern India, devotion to Bhaishajyaguru also spread to China, Japan, Tibet, and Southeast Asia. Buddhist texts describe eight Medicine Buddhas, with Bhaishajyaguru being the most important. His skin is the luminous blue color of lapis lazuli, a prized mineral that is ground for paint, and he glows more radiantly than the sun. Bhaishajyaguru is worshiped for his capacity to cure physical and mental diseases and to ease hunger, thirst, cold, and even mosquito bites.

The text that describes Bhaishajyaguru and practices associated with him (the Medicine Buddha ) recounts his progression as a who took twelve significant vows for the benefit of all beings and vowed to avert nine different types of violent and premature death. His primary, initial vow as a bodhisattva was to become capable of entirely freeing all sentient beings from their illnesses. After attaining , he assumed the role of the Buddha who dwelled in the eastern pure land of Pure Lapis Lazuli.

On top of a multi-tiered rectangular base, the Medicine Bhaishajyaguru sits in (a meditative posture with crossed legs) on a double-lotus throne. A round halo with a flamed border, surmounted by the Buddhist parasol (chattra), hovers above him. The backplate is adorned with flower blossoms that cascade around the Buddha’s head. Bhaishajyaguru carries a myrobalan fruit representing medicinal qualities in his right hand while holding a in his left hand. The fluid contours of the Buddha’s body, highlighted by the sinuous curve of his robe across his chest, exude a sense of vitality. His calmness is enhanced by his soft smile and his lotus-petal-shaped eyes that cast a downward glance. On the reverse side, a inscription holds the Buddhist creed, an important that condenses the entirety of the Buddha’s teachings into a memorable phrase.

Stylistic features—such as proportions, facial features, and bodily comportment—of this Javanese depiction of Bhaishajyaguru bear resemblances to Buddhist and Hindu bronze sculptures from northeastern India. The similarities reveal long-distance connections across South Asia and Southeast Asia. Monks from Java would frequently journey to northeastern India to study at famous Buddhist universities and visit important sites associated with the Buddha’s life. They returned from these excursions with religious images, most notably portable bronzes, which local artists used as vital sources of inspiration. Depicting the Medicine Buddha in bronze, while common in northern India and the Himalayan region, was rare in Indonesia, which makes this bronze sculpture exceptional.

Bhaishajyaguru is still worshiped among some Buddhist communities in Tibet, China, Korea, and Japan. Some believe that certain illnesses can be cured merely by touching his image or saying his name. However, more severe ailments require complex rituals from the Bhaishajyaguru tradition’s primary text.

In China, Bhaishajyaguru is one of three respected Buddhas, the other two being (the Historical ) and Amitabha. Bhaishajyaguru is frequently referred to as the Medicine King, a title that reveals the importance of healing in Chinese . In Chinese temples, the Medicine Buddha is frequently recited, and his name is chanted repeatedly.

The Tibetan name for the Medicine Buddha is Sangye Menla, who has the ability to lessen both physical ailments and mental pain. In one Tibetan Buddhist practice, an ailing person carries a small sculpture of the Medicine Buddha to monasteries and home shrines, where they chant the associated 108 times over a glass of water. It is believed that the Medicine Buddha’s blessings and the power of the chant bless the water, which the patient then drinks or uses to wash the affected parts of the body. This process is repeated daily until the illness has been cured.

  1. Describe what you see in the sculpture. What is the figure sitting on? What might that signify about his status?
  2. What is the significance of his hand gesture and the objects he is holding?
  3. Notice the flames that emerge from the backplate. What could these represent?
  4. How do you feel when looking at this sculpture?

  1. What other stories are told in beyond , the Historical ?
  2. How are symbols used to convey messages in sculptures?
  3. Why might practitioners of faith traditions ascribe healing properties to a sculpture?

Birnbaum, Raoul. The Healing . Rev. ed. Boulder, CO: Shambhala, 2003.

Diamond, Debra, ed. Paths to Perfection: Buddhist Art at the Freer|Sackler. London: Giles 2017

Gordon, Robert E. “Borobudur.” Smarthistory. https://smarthistory.org/borobudur/

Lopez, Donald S., Jr., and Rebecca Bloom. Hyecho’s Journey: The World of . Chicago, Il: University of Chicago, 2017.

Smithsonian National Museum of Asian Art. “Sacred Sites in Southeast Asia.” https://asia.si.edu/explore-art-culture/collections/collections-areas/southeast-asian/sacred-sites-in-southeast-asia/