Durga, Goddess who Slays the Buffalo Demon

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Title: , Goddess who Slays the Buffalo Demon

Type: Sculpture

Associated Religious Tradition: Hinduism

Origins

  • Geography: Bangladesh
  • Date: 12th century
  • Period: (750–1204)

Physical Properties

  • Material: Brass
  • Dimensions: H × W × D: 15.7 × 10.1 × 8.2 cm (6 3/16 × 4 × 3 1/4 in)

Crediting Information

  • Collection: National Museum of Asian Art Collection
  • Credit Line: Gift of Dr. David R. Nalin
  • Accession Number: S1992.46

The fifth-century CE Hindu text Devi Mahatmya relates the well-known narrative of Durga’s triumph over evil. Each of the gods tried but could not defeat the earth-threatening demon , whose disguise was a water buffalo. Together, the gods created , furnishing the goddess with weapons to use against him. Artists typically depict Durga at the moment she handily defeats the demon—seated or standing atop her lion with multiple arms fanned out, brandishing the weapons.

Durga’s tale expresses the superiority of the Great Goddess over all the male gods. Mahadevi is the cosmic creator and the foremost divine power of the universe. While other goddesses can represent Mahadevi on earth, she often appears as the victorious Durga, whose wisdom on the cosmic battlefield is absolute.

Both and Hinduism flourished during the (750–1204), which was centered in today’s Indian state of West Bengal (in northeastern India) and the country of Bangladesh.

This sculpture was created in Bangladesh in the twelfth century. It depicts the fierce goddess defeating the demon . Durga, shown in her eighteen-armed form, holds symbols of power and divinity, including a bow and arrow, a sword, a shield, and a drum. The sculpture, made of brass (a soft metal), has weathered so it is no longer possible to identify all the objects she holds.

The sculpture depicts the goddess’s triumph over Mahisha. The buffalo’s decapitated head rests on the double-lotus base as the demon emerges from the animal’s neck. Durga forces Mahisha’s head back, preparing to finish him off with a trident (now missing from the sculpture). With her right foot, Durga pins the demon. Her left foot rests on her lion (the vehicle on which she travels), which bites the demon’s foot.

Finely detailed, fully realized in the round, and filled with energy, this brass sculpture is surprisingly small! Only about six inches in height, it was surely made for personal use and was probably placed in a home shrine. Worshiping the goddess would have included bathing the brass sculpture with auspicious liquids. Repeated over many years, the rituals weathered the object, smoothing over its details but giving us today a sense of lovingly attentive worship. The object also has traces of red and green pigments. These were likely added after the weathering had occurred and then cleaned off before the object was sold as an art object of historical and aesthetic significance.

Across India, is one of the most widely represented forms of . She is seen in stone, bronze, wood, clay, and paint. Today, she also appears in films, television, and video games.

Every fall, the goddess’s victory and power are celebrated throughout India during a festival called (“Nine Nights”). Kolkata, in the Indian state of West Bengal, is the epicenter of the yearly festival that takes place during Navaratri, in which multiple neighborhood communities create pandals (portable shrines resembling parade floats that range from traditional iconography to contemporary architecture) for the goddess and her retinue. Artists create the goddess’s multiarmed images out of unfired clay, which are then painted and richly adorned before being placed within the pandals. Visiting the pandals is a major focus of Durga worship during the yearly festival.

In 2015, Durga made an appearance in the Disney Pixar animated short Sanjay’s Super Team. In the film, a child named Sanjay imagines Durga, , and as superheroes. The animators portray Durga as a fierce warrior and protector. The film’s narrative connects the child’s interest in the superheroes of popular culture with his father’s devotion to the deities of their Hindu tradition.

  1. How did the artist create a sense of a vigorous and exciting battle? Notice the goddess’s stance, the positions of her arms, and the sculptor’s use of negative space.
  2. Who assists the goddess, and why? Hint: Who is biting the demon’s toe as he tries to slip out of the buffalo carcass and away from the goddess?
  3. What expression does the goddess have on her face? Why might she be calm while fighting a demon so powerful that gods couldn’t kill him?

  1. What is special or unique about Hindu goddesses among the pantheon of Hindu deities?
  2. Why are festivals an important part of the religious and cultural lives of communities?
  3. Why might home shrines be important to individuals and families?

Casey, Jane. Medieval Sculpture from Eastern India: Selections from the Nalin Collection. Livingston, NJ: Nalini International Publications, 1985.

Dehejia, Vidya. Indian Art. London: Phaidon, 1997.

Dehejia, Vidya, and Thomas Coburn. Devi: The Great Goddess: Female Divinity in South Asian Art. Exh. Cat. Munich: Prestel Verlag, 1999.

Huntington, Susan L., and John C. Huntington. Leaves from the Tree: The Art of Pala India (8th–12th Centuries) and Its International Legacy. Dayton, OH: Dayton Art Institute with the University of Washington, 1990.

Menon, Arathi. “ Slays the Buffalo Demon at Mamallapuram.” Smarthistory. https://smarthistory.org/durga-mahisha-mamallapuram/

UNESCO. “ in Kolkata.” https://youtu.be/Az8SGiqk9-o?si=6WHahjQGjEpWIhy8