The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts

Title: The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts
Author List: Massumeh Farhad, Simon Rettig; with contributions by François Déroche, Edhem Eldem, Jane McAuliffe, Sana Mirza, Zeren Tanindi
Publisher: Arthur M. Sackler Gallery, Smithsonian Institution
Publication Date: November 8, 2016
Publication Type: book
Format: print (hardcover)
Pages: 382
ISBN: 9781588345783
Collection Area(s): Arts of the Islamic World
Book cover of The Art of the Quran, featuring a strong geometric pattern in shades of blue, gold, and black.
Description:

Thousands of sumptuous Qur’an manuscripts and loose pages, penned by celebrated calligraphers and embellished by skilled illuminators and bookbinders over the centuries, are now housed in the Museum of Turkish and Islamic Arts (TIEM) in Istanbul, Turkey. The formation of this one-of-a-kind collection and the history of TIEM are explored in this companion publication to the groundbreaking exhibition The Art of the Qur’an.

The book introduces the Qur’an and traces its transformation from a fleeting, orally transmitted Message into a fixed, written Text that has played a central role in the artistic culture of the Islamic world. Particular attention is given to the formal development of Qur’anic manuscripts over a thousand years and the concurrent evolution of calligraphy and illumination, two distinct features of the arts of the book in the region. Volumes were completed in Herat, Tabriz, Cairo, Baghdad, Mosul, Damascus, and Istanbul. Over the centuries they were created in the Umayyad and Abbasid Near East, Seljuq Iran and Anatolia, the Mongol Il-Khanid and Timurid empires, Mamluk Cairo, and the Safavid and Ottoman empires. Members of the Ottoman elite acquired these fine manuscripts and offered them as gifts to cement political and military relationships or as rewards for loyalty and service. Many Qur’ans were donated to public and religious institutions to express personal piety and to secure power and prestige.

With approximately 260 color and black-and-white illustrations, many of them full page in size. Includes in-depth descriptions of almost seventy works from TIEM and the Smithsonian’s Freer|Sackler. Published in conjunction with the exhibition The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts, on view at the Arthur M. Sackler Gallery, Smithsonian, from October 15, 2016, through February 20, 2017.

Contents

Foreword
Elahé Omidyar Mir-Djalali

Foreword
Seracettin Şahin

Foreword
Julian Raby

Sponsors

Note to the Reader

Map

 

Essays

Introduction
Massumeh Farhad

The Qur’an
Jane McAuliffe

In the Beginning: Early Qur’ans from Damascus
François Déroche

Shaping the Word of God: Visual Codifications of the Qur’an between 1000 and 1700
Simon Rettig

Illumination and Decorative Designs in Qur’anic Manuscripts
Zeren Tanındı

The Genesis of the Museum of Turkish and Islamic Arts
Edhem Eldem

 

Catalogue

The Umayyads and the Early Abbasid Period, 650–1000
The Late Abbasid Period, 1000–1250
The Mongols and Their Successors, 1250–1500
The Mamluks, 1250–1500
The Safavids, 1500–1700
The Ottomans, 1400–1700

 

Reference Material

Exhibition Checklist
Glossary
Endnotes to the Catalogue Section
Bibliography
Credits
Contributors
Index

Related Exhibition

  • calligraphy on Ink, color, and gold on paper

    The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts

    October 22, 2016–February 20, 2017

    Some fifty of the most sumptuous manuscripts from Herat to Istanbul were featured in The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts. Celebrated for their superb calligraphy and lavish illumination, these manuscripts—which range in date from the early eighth to the seventeenth century—are critical to the history of the arts of the book.

    View Exhibition