Bookshelf: Alphabetical by Author

woman reading on a bed, rendered in watercolor

Abe, Stanley K. A Freer Stela Reconsidered. Freer Gallery of Art Occasional Papers 3 (2002).

Allee, Stephen D. Song and Yuan Dynasty Painting and Calligraphy. Washington, DC: Smithsonian Institution, 2010.

Arts of Asia at the Time of American Independence: Bicentennial Exhibition, Freer Gallery of Art 1975–1976. Washington, DC: Smithsonian Institution, 1975.

Atil, Esin. Art of the Arab World. Washington, DC: Smithsonian Institution, 1975.

Atil, Esin. The Brush of the Masters, Drawings from Iran and India. Washington, DC: Smithsonian Institution, 1978.

Atil, Esin. Ceramics from the World of IslamWashington, DC: Smithsonian Institution, 1973.

Atil, Esin. Exhibition Catalogue of Turkish Art of the Ottoman Period. Washington, DC: Smithsonian Institution, 1973.

Atil, Esin. Exhibition of 2500 Years of Persian ArtWashington, DC: Smithsonian Institution, 1972.

Atil, Esin, W.T. Chase, and Paul Jett. Islamic Metalwork in the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1985.

Bailey, Gauvin Alexander. The Jesuits and the Grand Mogul: Renaissance Art at the Imperial Court of India, 1580–1630. Freer Gallery of Art Occasional Papers 2 (1998).

Cahill, James. Chinese Album Leaves in the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1961.

Chang, Joseph, and Qianshen Bai. In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren from the Estate of Wang Fangyu and Sum Wai. Washington, DC: Smithsonian Institution, 2003.

Chang, Joseph, Thomas Lawton, and Stephen D. Allee. Brushing the Past: Later Chinese Calligraphy from the Gift of Robert Hatfield Ellsworth. Washington, DC: Smithsonian Institution, 2000.

Cort, Louise A. Ceramics in Mainland Southeast Asia. Washington, DC: Smithsonian Institution, 2008.

Cort, Louise A. Korean Ceramics in the Freer Gallery of Art.Washington, DC: Smithsonian Institution, 2012.

Curry, David Park. James McNeill Whistler at the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1984.

Dennison, W., and C. R. Morey. Studies in East Christian and Roman Art. New York: Macmillan Company, 1918.

Der Nersessian, Sirarpie. Armenian Manuscripts in the Freer Gallery of Art. Freer Gallery of Art Occasional Series, no. 6 (1963).

A Descriptive and Illustrative Catalogue of Chinese Bronzes Acquired During the Administration of John Ellerton Lodge. Washington, DC: Smithsonian Institution, 1946.

Ecker, Heather. Caliphs and Kings: The Art and Influence of Islamic Spain. Washington, DC, and New York: Smithsonian Institution and Hispanic Society of America, 2004.

Edwards, Richard. Li Ti. Freer Gallery of Art Occasional Papers 3, no. 3 (1967).

Ettinghausen, Richard. Medieval Near Eastern Ceramics in the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1960.

Ettinghausen, Richard. The Unicorn. Freer Gallery of Art Occasional Papers 1, no. 3 (1950).

Eugene and Agnes E. Meyer Memorial Exhibition, Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1971.

FitzHugh, Elisabeth West, John Winter, and Marco Leona. Studies Using Scientific Methods: Pigments in Later Japanese Paintings. Freer Gallery of Art Occasional Papers, new series, vol. 1 (2003).

Fong, Wen. The Lohans and a Bridge to Heaven. Freer Gallery of Art Occasional Papers 3, no. 1 (1958).

Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1980.

Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1983.

Fu, Shen, Glenn D. Lowry, and Ann Yonemura. From Concept to Context: Approaches to Asian and Islamic Calligraphy. Washington, DC: Smithsonian Institution, 1986.

Gettens, Rutherford J., Roy S. Clarke, and W. T. Chase. Two Early Chinese Bronze Weapons with Meteoritic Iron Blades. Freer Gallery of Art Occasional Papers 4, no. 1 (1971).

Gettens, Rutherford J., and Bertha M. Usilton. Abstracts of Technical Studies in Art and Archaeology, 1943–1952. Freer Gallery of Art Occasional Papers 2, no. 2 (1955).

Gettens, Rutherford John. The Freer Chinese Bronzes. 2 vols. Washington, DC: Smithsonian Institution, 1967.

Glazer, Lee, Margaret F. MacDonald, Linda Merrill, and Nigel Thorp, eds. James McNeill Whistler in Context: Essays from the Whistler Centenary Symposium, University of Glasgow, 2003. Freer Gallery of Art Occasional Papers, new series, vol. 2 (2008).

Gunter, Ann C. A Collector’s Journey: Charles Lang Freer and Egypt. Washington, DC: Freer Gallery of Art, 2002.

Gunter, Ann C., ed. Investigating Artistic Environments in the Ancient Near East. Washington, DC: Smithsonian Institution, 1990.

Gunter, Ann C., and Paul Jett. Ancient Iranian Metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1992.

Hobbs, Susan. The Whistler Peacock Room. Washington, DC: Smithsonian Institution, 1980.

 

 

Koch, Ebba. Dara-Shikoh Shooting Nilgais: Hunt and Landscape in Mughal Painting. Freer Gallery of Art Occasional Papers 1 (1998).

Krahl, Regina, ed. Shipwrecked: Tang Treasures and Monsoon Winds. Arthur M. Sackler Gallery, Smithsonian Institution, National Heritage Board of Singapore, and Singapore Tourism Board, 2010.

Lawton, Thomas. Chinese Art of the Warring States Period: Change and Continuity, 480–222 B.C. Washington, DC: Smithsonian Institution, 1982.

Lawton, Thomas. Chinese Figure Painting. Washington, DC: Smithsonian Institution, 1973.

Lawton, Thomas, and Thomas W. Lentz. Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery. Washington, DC: Smithsonian Institution, 1998.

Masterpieces of Chinese and Japanese Art: Freer Gallery of Art Handbook. Washington, DC: Smithsonian Institution, 1976.

Material Papers Relating to the Freer Gift and Bequest. Washington, DC: Smithsonian Institution, 1928.

Merrill, Linda. A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin. Washington, DC: Smithsonian Institution Press, 1992.

Merrill, Linda, ed. With Kindest Regards: The Correspondence of Charles Lang Freer and James McNeill Whistler, 1890–1903. Washington, DC: Smithsonian Institution, 1995.

Minorsky, Vladimir, trans. Calligraphers and Painters: A Treatise by Qādī Ahmad, Son of Mir-Munshī, circa A.H. 1015/A.D. 1606. Freer Gallery of Art Occasional Papers 3, no. 2 (1959).

Murray, Julia K. A Decade of Discovery: Selected Acquisitions 1970–1980Washington, DC: Smithsonian Institution, 1979.

 

 

Pope, John Alexander. Chinese Porcelains from the Ardebil Shrine. Washington, DC: Smithsonian Institution, 1956.

Pope, John Alexander. Fourteenth-Century Blue-and-White: A Group of Chinese Porcelains in the Topkapu Sarayi Müzesi, Istanbul. Freer Gallery of Art Occasional Papers 2, no. 1 (1952).

Report of the Law Committee of the Board of Regents Appointed to Consider Material Papers Relating to the Freer Gift and BequestsWashington, DC: Smithsonian Institution, 1929.

 

 

Sanders, Henry A. Facsimile of the Washington Manuscript of the Four Gospels in the Freer Collection, vol. 1. Ann Arbor: University of Michigan, 1912.

Sanders, Henry A. Facsimile of the Washington Manuscript of the Four Gospels in the Freer Collection, vol. 2. Ann Arbor: University of Michigan, 1912.

Sanders, Henry A. The New Testament Manuscripts in the Freer Collection. New York: Macmillan Company, 1918.

Sanders, Henry A. The Old Testament Manuscripts in the Freer Collection. New York: Macmillan Company, 1917.

Seyller, John William, and W. M. Thackston. The Adventures of Hamza: Painting and Storytelling in Mughal India. Washington, DC, and London: Smithsonian Institution and Azimuth Editions Limited, 2002.

Simpson, Marianna Shreve. Persian Poetry, Painting, & Patronage: Illustrations in a Sixteenth-Century Masterpiece. Washington, DC, and New Haven: Smithsonian Institution and Yale University Press, 1997.

Singer, Paul, ed. New Perspectives on Chu Culture during the Eastern Zhou Period. Washington, DC: Smithsonian Institution, 1991.

Steindorff, Georg. A Royal Head from Ancient Egypt. Freer Gallery of Art Occasional Papers 1, no. 5 (1951).

Stern, Harold P. Ukiyo-e Painting. Washington, DC: Smithsonian Institution, 1973.

Stern, Harold Phillip. Hokusai: Paintings and Drawings in the Freer Gallery of Art. Washington, DC: Smithsonian Institution, 1960.

Stuart, Jan, and Evelyn S. Rawski. Worshiping the Ancestors: Chinese Commemorative Portraits. Washington, DC, and Stanford: Smithsonian Institution and Stanford University Press, 2001.

Stubbs, Burns A. James McNeill Whistler: A Biographical Outline Illustrated from the Collections of the Freer Gallery of Art. Freer Gallery of Art Occasional Papers 1, no. 4 (1950).

Stubbs, Burns A. Paintings, Pastels, Drawings, Prints, and Copper Plates by and Attributed to American and European Artists, Together with a List of Original Whistleriana in the Freer Gallery of Art. Freer Gallery of Art Occasional Papers 1, no. 2 (1948).

Swain, George R. Photographs of the Washington Manuscript of the Psalms in the Freer Collection. Ann Arbor: University of Michigan, 1919.

 

 

 

Wenley, A.G. The Grand Empress Dowager Wên Ming and the Northern Wei Necropolis at Fang Shan. Freer Gallery of Art Occasional Papers 1, no. 1 (1947).

The Whistler Peacock Room (Washington, DC: Smithsonian Institution, 1951).

The Whistler Peacock Room (Washington, DC: Smithsonian Institution, 1962).

The Whistler Peacock Room (Washington, DC: Smithsonian Institution, 1972).

Wilson, Richard L. The Potter’s Brush: The Kenzan Style in Japanese Ceramics. Washington, DC: Smithsonian Institution, 2001.

Wood, Robert. The Ruins of Palmyra, Otherwise Tedmor, in the Desart. London, 1753.

Yonemura, Ann. Japanese Lacquer. Washington, DC: Smithsonian Institution, 1979.

Yonemura, Ann, et al. The World of the Japanese Illustrated Book. Washington, DC: Smithsonian Institution, 2014.