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  4. Peacock Room REMIX: Darren Waterston’s “Filthy Lucre”
  5. Filthy Lucre Deinstall

Filthy Lucre Deinstall

  • Art installer on a ladder within the shell of the installation, the walls and windows of the studio visible in the surroundings.
  • Art installers standing atop ladders to de-install a section of ceiling.
  • The back of one of the wall panels. each panel is labeled with a number and letter. A tube light can be seen beneath the installation's window opening.
  • Installation modular walls leaning against the brick wall of Mass Moca art studio
  • Wall module featuring a faux fireplace, above which is a blank, red panel where a painting normally goes.
  • A corner wall module standing freely in the artist studio.
  • Glass pendant lights packed neatly in a wooden box for transportation.
Art installer on a ladder within the shell of the installation, the walls and windows of the studio visible in the surroundings.

Filthy Lucre is constructed as a freestanding shell with a plywood base. It was designed to fit within the available exhibition space at MASS MoCA, a former textile mill.

Image 1 of 7

Art installers standing atop ladders to de-install a section of ceiling.

Teak Lynner of the F|S prep shop traveled to North Adams in early March for the deinstallation of Filthy Lucre. The crew at MASS MoCA takes apart the drop ceiling.

Image 2 of 7

The back of one of the wall panels. each panel is labeled with a number and letter. A tube light can be seen beneath the installation's window opening.

The eerie red glow behind the shutters is from filtered fluorescent lights installed below a translucent scrim panel.

Image 3 of 7

Installation modular walls leaning against the brick wall of Mass Moca art studio

Modular sections of Filthy Lucre come apart and rejoin easily, and the shelving is permanently attached. They are built at 90 percent scale of the Peacock Room.

Image 4 of 7

Wall module featuring a faux fireplace, above which is a blank, red panel where a painting normally goes.

Darren Waterston’s version of The Princess from the Land of Porcelain fills the space above the mantelpiece. The fireplace is a separate unit that slides into place.

Image 5 of 7

A corner wall module standing freely in the artist studio.

The wall panels of Filthy Lucre are constructed of plywood mounted to a welded aluminum framework. Teak’s photos help with installing the sections at the Sackler Gallery.

Image 6 of 7

Glass pendant lights packed neatly in a wooden box for transportation.

Hand-crafted pendant lights are packed for shipment from MASS MoCA to their installation in the Sackler Gallery.

Image 7 of 7

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