Bookshelf: By Collection Area

David Park Curry, James McNeill Whistler at the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1984).

Lee Glazer, Margaret F. MacDonald, Linda Merrill, and Nigel Thorp, eds., James McNeill Whistler in Context: Essays from the Whistler Centenary Symposium, University of Glasgow, 2003, Freer Gallery of Art Occasional Papers, new series, vol. 2 (2008).

Susan Hobbs, The Whistler Peacock Room (Washington, DC: Smithsonian Institution, 1980).

Linda Merrill, A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin (Washington, DC: Smithsonian Institution Press, 1992).

Linda Merrill, ed., With Kindest Regards: The Correspondence of Charles Lang Freer and James McNeill Whistler, 1890–1903 (Washington, DC: Smithsonian Institution, 1995).

Burns A. Stubbs, Paintings, Pastels, Drawings, Prints, and Copper Plates by and Attributed to American and European Artists, Together with a List of Original Whistleriana in the Freer Gallery of Art, Freer Gallery of Art Occasional Papers 1, no. 2 (1948).

Burns A. Stubbs, James McNeill Whistler: A Biographical Outline Illustrated from the Collections of the Freer Gallery of Art, Freer Gallery of Art Occasional Papers 1, no. 4 (1950).

The Whistler Peacock Room (Washington, DC: Smithsonian Institution, 1951).

The Whistler Peacock Room (Washington, DC: Smithsonian Institution, 1962).

The Whistler Peacock Room (Washington, DC: Smithsonian Institution, 1972).

Ann C. Gunter, A Collector’s Journey: Charles Lang Freer and Egypt (Washington, DC: Freer Gallery of Art, 2002).

Georg Steindorff, A Royal Head from Ancient Egypt, Freer Gallery of Art Occasional Papers 1, no. 5 (1951).

Ann C. Gunter, ed., Investigating Artistic Environments in the Ancient Near East (Washington, DC: Smithsonian Institution, 1990).

Ann C. Gunter and Paul Jett, Ancient Iranian Metalwork in the Arthur M. Sackler Gallery and the Freer Gallery of Art(Washington, DC: Smithsonian Institution, 1992).

Esin Atil, Art of the Arab World (Washington, DC: Smithsonian Institution, 1975).

Esin Atil, The Brush of the Masters, Drawings from Iran and India (Washington, DC: Smithsonian Institution, 1978).

Esin Atil, Ceramics from the World of Islam (Washington, DC: Smithsonian Institution, 1973).

Esin Atil, Exhibition Catalogue of Turkish Art of the Ottoman Period (Washington, DC: Smithsonian Institution, 1973).

Esin Atil, Exhibition of 2500 Years of Persian Art (Washington, DC: Smithsonian Institution, 1972).

Esin Atil, W.T. Chase, and Paul Jett, Islamic Metalwork in the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1985).

Heather Ecker, Caliphs and Kings: The Art and Influence of Islamic Spain (Washington, DC, and New York: Smithsonian Institution and Hispanic Society of America, 2004).

Richard Ettinghausen, Medieval Near Eastern Ceramics in the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1960).

Richard Ettinghausen, The Unicorn, Freer Gallery of Art Occasional Papers 1, no. 3 (1950).

Shen Fu, Glenn D. Lowry, and Ann Yonemura, From Concept to Context: Approaches to Asian and Islamic Calligraphy(Washington, DC: Smithsonian Institution, 1986).

Vladimir Minorsky, trans., Calligraphers and Painters: A Treatise by Qādī Ahmad, Son of Mir-Munshī, circa A.H. 1015/A.D. 1606, Freer Gallery of Art Occasional Papers 3, no. 2 (1959).

Marianna Shreve Simpson, Persian Poetry, Painting, & Patronage: Illustrations in a Sixteenth-Century Masterpiece(Washington, DC, and New Haven: Smithsonian Institution and Yale University Press, 1997).

Robert Wood, The Ruins of Palmyra, Otherwise Tedmor, in the Desart (London, 1753).

W. Dennison and C. R. Morey, Studies in East Christian and Roman Art (New York: Macmillan Company, 1918).

Sirarpie Der Nersessian, Armenian Manuscripts in the Freer Gallery of Art, Freer Gallery of Art Occasional Series, no. 6. (1963).

Henry A. Sanders, Facsimile of the Washington Manuscript of the Four Gospels in the Freer Collection, vol. 1 (Ann Arbor: University of Michigan, 1912).

Henry A. Sanders, Facsimile of the Washington Manuscript of the Four Gospels in the Freer Collection, vol. 2 (Ann Arbor: University of Michigan, 1912).

Henry A. Sanders, The New Testament Manuscripts in the Freer Collection (New York: Macmillan Company, 1918).

Henry A. Sanders, The Old Testament Manuscripts in the Freer Collection (New York: Macmillan Company, 1917).

George R. Swain, Photographs of the Washington Manuscript of the Psalms in the Freer Collection (Ann Arbor: University of Michigan, 1919).

Esin Atil, Ceramics from the World of Islam (Washington, DC: Smithsonian Institution, 1973).

Louise A. Cort, Ceramics in Mainland Southeast Asia (Washington, DC: Smithsonian Institution, 2008).

Louise A. Cort, Korean Ceramics in the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 2012).

Richard L. Wilson, The Potter’s Brush: The Kenzan Style in Japanese Ceramics (Washington, DC: Smithsonian Institution, 2001).

A Descriptive and Illustrative Catalogue of Chinese Bronzes Acquired During the Administration of John Ellerton Lodge (Washington, DC: Smithsonian Institution, 1946).

Stanley K. Abe, A Freer Stela Reconsidered, Freer Gallery of Art Occasional Papers 3 (2002).

Stephen D. Allee, Song and Yuan Dynasty Painting and Calligraphy (Washington, DC: Smithsonian Institution, 2010).

James Cahill, Chinese Album Leaves in the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1961).

Joseph Chang and Qianshen Bai, In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren from the Estate of Wang Fangyu and Sum Wai (Washington, DC: Smithsonian Institution, 2003).

Joseph Chang, Thomas Lawton, and Stephen D. Allee, Brushing the Past: Later Chinese Calligraphy from the Gift of Robert Hatfield Ellsworth (Washington, DC: Smithsonian Institution, 2000).

Richard Edwards, Li Ti, Freer Gallery of Art Occasional Papers 3, no. 3 (1967).

Eugene and Agnes E. Meyer Memorial Exhibition, Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1971).

Wen Fong, The Lohans and a Bridge to Heaven, Freer Gallery of Art Occasional Papers 3, no. 1 (1958).

Rutherford John Gettens, The Freer Chinese Bronzes, 2 vols. (Washington, DC: Smithsonian Institution, 1967).

Rutherford J. Gettens, Roy S. Clarke, and W. T. Chase, Two Early Chinese Bronze Weapons with Meteoritic Iron Blades, Freer Gallery of Art Occasional Papers 4, no. 1 (1971).

Regina Krahl, ed., Shipwrecked: Tang Treasures and Monsoon Winds (Arthur M. Sackler Gallery, Smithsonian Institution, National Heritage Board of Singapore, and Singapore Tourism Board, 2010).

Thomas Lawton, Chinese Art of the Warring States Period: Change and Continuity, 480–222 B.C. (Washington, DC: Smithsonian Institution, 1982).

Thomas Lawton, Chinese Figure Painting (Washington, DC: Smithsonian Institution, 1973).

Masterpieces of Chinese and Japanese Art: Freer Gallery of Art Handbook (Washington, DC: Smithsonian Institution, 1976).

John Alexander Pope, Chinese Porcelains from the Ardebil Shrine (Washington, DC: Smithsonian Institution, 1956).

John Alexander Pope, Fourteenth-Century Blue-and-White: A Group of Chinese Porcelains in the Topkapu Sarayi Müzesi, Istanbul, Freer Gallery of Art Occasional Papers 2, no. 1 (1952).

Paul Singer, ed., New Perspectives on Chu Culture during the Eastern Zhou Period (Washington, DC: Smithsonian Institution, 1991).

Jan Stuart and Evelyn S. Rawski, Worshiping the Ancestors: Chinese Commemorative Portraits (Washington, DC, and Stanford: Smithsonian Institution and Stanford University Press, 2001).

A.G. Wenley, The Grand Empress Dowager Wên Ming and the Northern Wei Necropolis at Fang Shan, Freer Gallery of Art Occasional Papers 1, no. 1 (1947).

Arts of Asia at the Time of American Independence: Bicentennial Exhibition, Freer Gallery of Art 1975–1976 (Washington, DC: Smithsonian Institution, 1975).

Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1980).

Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1983).

Rutherford J. Gettens and Bertha M. Usilton, Abstracts of Technical Studies in Art and Archaeology, 1943–1952, Freer Gallery of Art Occasional Papers 2, no. 2 (1955).

Thomas Lawton and Thomas W. Lentz, Beyond the Legacy: Anniversary Acquisitions for the Freer Gallery of Art and the Arthur M. Sackler Gallery (Washington, DC: Smithsonian Institution, 1998).

Masterpieces of Chinese and Japanese Art: Freer Gallery of Art Handbook (Washington, DC: Smithsonian Institution, 1976).

Material Papers Relating to the Freer Gift and Bequest (Washington, DC: Smithsonian Institution, 1928).

Julia K. Murray, A Decade of Discovery: Selected Acquisitions 1970–1980 (Washington, DC: Smithsonian Institution, 1979).

Report of the Law Committee of the Board of Regents Appointed to Consider Material Papers Relating to the Freer Gift and Bequests (Washington, DC: Smithsonian Institution, 1929).

Elisabeth West FitzHugh, John Winter, and Marco Leona, Studies Using Scientific Methods: Pigments in Later Japanese Paintings, Freer Gallery of Art Occasional Papers, new series, vol. 1 (2003).

Shen Fu, Glenn D. Lowry, and Ann Yonemura, From Concept to Context: Approaches to Asian and Islamic Calligraphy(Washington, DC: Smithsonian Institution, 1986).

Masterpieces of Chinese and Japanese Art: Freer Gallery of Art Handbook (Washington, DC: Smithsonian Institution, 1976).

Harold Phillip Stern, Hokusai: Paintings and Drawings in the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 1960).

Harold P. Stern, Ukiyo-e Painting (Washington, DC: Smithsonian Institution, 1973).

Richard L. Wilson, The Potter’s Brush: The Kenzan Style in Japanese Ceramics (Washington, DC: Smithsonian Institution, 2001).

Ann Yonemura, Japanese Lacquer (Washington, DC: Smithsonian Institution, 1979).

Ann Yonemura et al., The World of the Japanese Illustrated Book (Washington, DC: Smithsonian Institution, 2014).

Louise A. Cort, Korean Ceramics in the Freer Gallery of Art (Washington, DC: Smithsonian Institution, 2012).

Esin Atil, The Brush of the Masters, Drawings from Iran and India (Washington, DC: Smithsonian Institution, 1978).

Gauvin Alexander Bailey, The Jesuits and the Grand Mogul: Renaissance Art at the Imperial Court of India, 1580–1630, Freer Gallery of Art Occasional Papers 2 (1998).

Ebba Koch, Dara-Shikoh Shooting Nilgais: Hunt and Landscape in Mughal Painting, Freer Gallery of Art Occasional Papers 1 (1998).

John William Seyller and W. M. Thackston, The Adventures of Hamza: Painting and Storytelling in Mughal India (Washington, DC, and London: Smithsonian Institution and Azimuth Editions Limited, 2002).

Louise A. Cort, Ceramics in Mainland Southeast Asia (Washington, DC: Smithsonian Institution, 2008).