Stephen Arpee Collection of Sevruguin Photographs

Detail of a pattern

At A Glance

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  • Creator

    Sevruguin, Antoin, 1851-1933
  • Dates

    undated
  • Physical Description

    1 Item (album (99 photoprints), b&w, 31.2 cm. x 41.6 cm. (sheet))
  • Collection ID

    FSA.A2011.03
  • EDAN ID

    ead_collection:sova-fsa-a2011-03
  • Scope and Contents

    A large album of prints by photographer Antoin Sevruguin, likely dating from his early career in Iran in the 1870s and 1880s. The collection also includes a number of loose, unbacked prints, many duplicating the photographs in the album. Roughly half of the mounted prints have English handwritten captions.
  • Biographical / Historical

    Antoin Sevruguin managed and operated one of the most successful commercial photography studios in Tehran in the late 19th century. Born in the 1840s in Iran, Sevruguin's mother returned with her children to her hometown of Tbilisi after his father Vassil, a Russian diplomat in Iran, died in a horse riding accident. Trained as a painter, Sevruguin returned to Iran in the early 1870s accompanied by his two brothers, establishing a photography studio first in Tabriz and then Tehran. His studio's ties to Tbilisi, however, persisted through the years; many of the early portraits of Dervishes and women have been simultaneously attributed to Antoin Sevruguin and Dimitri Yermakov, the Georgian photographer who is often referred to as Sevruguin's mentor from Tbilisi. Many of Antoin Sevruguin's photographs were published as early as 1885 in travelogues, journals and books indicating that by that time he had a fully established practice in Tehran's Ala al-Dawla street, with ties to the court of Nasir al-Din Shah Qajar. Often unacknowledged as the producer of published images in his own time - the 1902 photographic survey of Persepolis being the most glaring of such authorial misrepresentations - he was nevertheless celebrated and acknowledged for his artistic vision and his keen eye for composition, achieving the Medal of Lion and Sun from Nasir al-Din Shah, the 1897 Medal of Honour in the Brussels International Exposition, and the 1900 Medal of Honour in Paris International Exposition. Reflecting a career that spans nearly half a century, Sevruguin's diverse body of work includes studio portraits of families, women and dervishes, survey photographs of archeological sites, objects, landscapes and architecture, and photographs of royalty, high officials and ceremonies of the Qajar court. The range of his output not only demonstrates his own pictorial concerns and artistic abilities but also the divergent interests of his clients. Despite numerous devastating incidents throughout his career - the loss of more than half of his negatives in a 1908 blast and fire, an unsuccessful attempt at diversifying into cinematography in the 1910s, and the confiscation of the remainder of his negatives in the mid-1920s to name a few - his studio remained operational even after his death in 1933. A number of negatives from the Sevruguin studio can be dated to the years after Antoin's death, indicating that the Sevruguin studio continued to be commercially viable. As one of the most prolific early commercial photographers in Iran, Antoin Sevruguin's artistic legacy has since proved far more enduring.
  • Local Numbers

    FSA A2011.03
  • Creator

    Sevruguin, Antoin, 1851-1933
  • Names

    Kākh-i Gulistān (Tehran, Iran)
    Nāsir al-Dīn Shāh, Shah of Iran, 1831-1896
    Sevruguin, Antoin, 1851-1933
  • Place

    Asia
    Iran
    Bandar Anzalī (Iran)
    Iṣfahān (Iran)
    Qazvīn (Iran)
    Qum (Iran)
    Rasht (Iran)
    Tehran (Iran)
  • Topic

    Qajar dynasty, -- Iran, -- 1794-1925
    Architecture
    Clothing and dress
    Criminal procedure
    Landscapes
    Executions and executioners
    Hairstyles
    headgear
    Jewelry
    Military
    Musical instruments
    Palaces
    Portrait photography
    Religious buildings
    Royalty (Nobility)
    Shrines
    Street vendors
    Thrones
    Women
  • Provenance

    Purchase; 2011.
  • Culture

    Qajar dynasty -- Iran -- 1794-1925
  • See more items in

    Stephen Arpee Collection of Sevruguin Photographs
  • Archival Repository

    Freer Gallery of Art and Arthur M. Sackler Gallery Archives
  • Type

    Collection descriptions
    Archival materials
    Albumen prints
    Photograph albums
    Photographic prints
    Studio portraits
  • Citation

    Stephen Arpee Collection of Sevruguin Photographs. FSA.A2011.03. National Museum of Asian Art Archives. Smithsonian Institution, Washington D.C.
  • Arrangement

    Images indexed by original photographic print number.
  • Rights

    Permission to publish, quote, or reproduce must be secured from the repository.
  • Genre/Form

    Albumen prints
    Photograph albums
    Photographic prints
    Studio portraits
  • Restrictions

    Collection is open for research.

Repository Contact

Freer Gallery of Art and Arthur M. Sackler Gallery Archives
National Museum of Asian Art Archives
Washington, D.C. 20013
AVRreference@si.edu