Lakshmana Cuts the Nose of the Demoness Surpanakha, from a Ramayana

Detail of a pattern
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At A Glance

  • Period

    19th century
  • Geography

    Maharashtra state, India
  • Material

    Opaque watercolor on paper
  • Dimension

    H x W: 31.8 x 41.9 cm (12 1/2 x 16 1/2 in)
  • Accession Number

    S2000.11
  • EDAN ID

    edanmdm:fsg_S2000.11

Object Details

  • Label

    The nineteenth-century chitrakathis or picture storytellers of Maharashtra in western India held paintings such as these aloft while they sang the great Indian epics to popular audiences.
    The style, known as Paithan, is characterized by freely drawn calligraphic contours and tapestry-like patterns of skillfully integrated figures and landscape elements. Although their style is traditional, the pictures are painted on the inexpensive European paper extensively used in nineteenth-century Maharashtra.
    In a popular episode from the epic Ramayana (Story of Rama) in the painting on the right, Rama's brother Lakshmana cuts off the nose of a demoness sexually attracted to the two brothers. The artist cleverly composed Surpanakha's twisted body within the lower left border; the expressive twist of her body creates an unusually empathetic portrayal of the demoness.
    A lively painting from a regional retelling of the epic Mahabharata (Great tale of the Bharatas), on the left, illustrates the young hero Abhimanyu hunting tiger, boar, porcupine, and hare as his mother Subhadra watches. Freely splashed washes of red paint indicate the slain animals' blood.
  • Provenance

    19th century-?
    Ownership information unknown
    ?-2000
    Harish K. Patel, method of acquisition unknown [1]
    From 2000
    National Museum of Asian Art, Smithsonian Institution, gift of Harish K. Patel [2]
    Notes:
    [1] See “Incoming Receipt,” dated December 10, 1999, copy in object file. The object was transferred from Harish K. Patel to the Arthur M. Sackler Gallery for acquisition consideration on December 10, 1999.
    Harish K. Patel is a graphic designer and collector of Indian art in New York, NY. Patel began collecting Indian art in 1988 and in September 2009 he began collecting Indian silver. Objects from his collection may also be found at the Birmingham Museum of Art.
    [2] See Arthur M. Sackler, “Acquisition Consideration Form,” approved on May 11, 2000, copy in object file. See also “Deed of Gift to the Arthur M. Sacker Gallery of the Smithsonian Institution,” copy in object file. From 2000-2023 this work was part of the National Museum of Asian Art’s Arthur M. Sackler Gallery Collection and on March 21, 2023, the work was internally transferred to the National Museum of Asian Art Collection.
    Research updated August 1, 2023
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Changing Tastes: Indian Paintings of the 18th and 19th Century (December 17, 2000 to July 15, 2001)
  • Previous custodian or owner

    Harish K. Patel
  • Origin

    Maharashtra state, India
  • Credit Line

    Gift of Harish K. Patel
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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