Lakshmana Cuts the Nose of the Demoness Surpanakha, from a Ramayana

Terms of Use
Usage Conditions ApplyAt A Glance
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Period
19th century -
Geography
Maharashtra state, India -
Material
Opaque watercolor on paper -
Dimension
H x W: 31.8 x 41.9 cm (12 1/2 x 16 1/2 in) -
Accession Number
S2000.11 -
EDAN ID
edanmdm:fsg_S2000.11
Object Details
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Label
The nineteenth-century chitrakathis or picture storytellers of Maharashtra in western India held paintings such as these aloft while they sang the great Indian epics to popular audiences.The style, known as Paithan, is characterized by freely drawn calligraphic contours and tapestry-like patterns of skillfully integrated figures and landscape elements. Although their style is traditional, the pictures are painted on the inexpensive European paper extensively used in nineteenth-century Maharashtra.In a popular episode from the epic Ramayana (Story of Rama) in the painting on the right, Rama's brother Lakshmana cuts off the nose of a demoness sexually attracted to the two brothers. The artist cleverly composed Surpanakha's twisted body within the lower left border; the expressive twist of her body creates an unusually empathetic portrayal of the demoness.A lively painting from a regional retelling of the epic Mahabharata (Great tale of the Bharatas), on the left, illustrates the young hero Abhimanyu hunting tiger, boar, porcupine, and hare as his mother Subhadra watches. Freely splashed washes of red paint indicate the slain animals' blood. -
Provenance
19th century-?Ownership information unknown?-2000Harish K. Patel, method of acquisition unknown [1]From 2000National Museum of Asian Art, Smithsonian Institution, gift of Harish K. Patel [2]Notes:[1] See “Incoming Receipt,” dated December 10, 1999, copy in object file. The object was transferred from Harish K. Patel to the Arthur M. Sackler Gallery for acquisition consideration on December 10, 1999.Harish K. Patel is a graphic designer and collector of Indian art in New York, NY. Patel began collecting Indian art in 1988 and in September 2009 he began collecting Indian silver. Objects from his collection may also be found at the Birmingham Museum of Art.[2] See Arthur M. Sackler, “Acquisition Consideration Form,” approved on May 11, 2000, copy in object file. See also “Deed of Gift to the Arthur M. Sacker Gallery of the Smithsonian Institution,” copy in object file. From 2000-2023 this work was part of the National Museum of Asian Art’s Arthur M. Sackler Gallery Collection and on March 21, 2023, the work was internally transferred to the National Museum of Asian Art Collection.Research updated August 1, 2023 -
Collection
National Museum of Asian Art Collection -
Exhibition History
Changing Tastes: Indian Paintings of the 18th and 19th Century (December 17, 2000 to July 15, 2001) -
Previous custodian or owner
Harish K. Patel -
Origin
Maharashtra state, India -
Credit Line
Gift of Harish K. Patel -
Type
Painting -
Restrictions and Rights
Usage Conditions Apply
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