- Provenance
- Provenance research underway.
- Label
-
Kitamura's patterning of her ceramic forms is reminiscent of certain contemporary textiles or prints in its crisp execution and sleek fit on the form. Nevertheless, she does use a techniqueinlay of white slip into the impressed depressionsthat refers to the slip-inlay technique used prominently on Choson-period Korean and Edo-period Japanese ceramics, and she states that the images for her pieces arise from the patterns on Jomon earthenware. In this reworking of tradition, she is representative of Kyoto ceramic artists who have been masters of reinterpretation since the seventeenth century.
- Published References
-
- Louise Allison Cort. Twentieth-century Asian Crafts in the Sackler Gallery. vol. XLIII no. 3. p. 23, fig. 15.
- Alice North, Halsey North, Louise Allison Cort. Listening to Clay: Conversations with Contemporary Japanese Ceramic Artists. New York, New York, June 14, 2022. p. 264, fig. 15.7.
- Collection Area(s)
- Contemporary Art, Japanese Art
- Web Resources
- Whistler's Neighborhood
- Google Cultural Institute
- SI Usage Statement
-
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
-
CC0 - Creative Commons (CC0 1.0)
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.
Usage Conditions Apply
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page.
To Download
Chrome users: right click on icon, select "save link as..."
Internet Explorer users: right click on icon, select "save target as..."
Mozilla Firefox users: right click on icon, select "save link as..."
International Image Interoperability Framework
FS-6592_05