Kailasa Temple, Ellora

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1931
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W: 40.3 x 27.7 cm (15 7/8 x 10 7/8 in)
  • Accession Number

    S1986.571
  • EDAN ID

    edanmdm:fsg_S1986.571

Object Details

  • Artist

    Yoshida Hiroshi 吉田博 (1876-1950)
  • Label

    After stopping in Bombay, Yoshida traveled by car to the cave temples of Ellora in the present-day Indian state of Maharashtra. The temples represent three major religious traditions: Hindu, Buddhist, and Jain. The Kailasa Temple, dedicated to the Hindu god Shiva, was carved from the gray basalt that forms the hills in this region. Yoshida's print depicts the courtyard at the entrance of the temple where visitors rest in the shade. Deep shadows darken the carved face of the temple, which was built in the eighth century in a massive effort that required removal of some two hundred thousand tons of stone over more than a century. Yoshida's inscription at the bottom of the print in English attests that he applied for official permission to make sketches at the site.
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Yoshida Hiroshi: Japanese Prints of India and Southeast Asia (August 1 to October 17, 1999)
  • Origin

    Japan
  • Credit Line

    Gift of Mr. and Mrs. Harold Horowitz
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring