Holy man with prince and attendants

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1900
  • Geography

    Northern India
  • Material

    Opaque watercolor on paper
  • Dimension

    H x W (overall): 21.3 x 16.4 cm (8 3/8 x 6 7/16 in)
  • Accession Number

    S1986.418
  • EDAN ID

    edanmdm:fsg_S1986.418

Object Details

  • Description

    Detached album folio; Holy man with prince and attendants; inscriptions on the border read: (on the left margin) portrait of Shah Qasim Anwar, and (on the right margin) Baysunqur Mirza.
    Borders: The painting is set in gold and black rulings surrounded by a blue inner frame and a gold outer frame, mounted on gold-sprinkled paperboard.
  • Marks

    Old matting: 307 B written in pencil
    Old matting: H. Vever written in black ink and underlined
    Old matting: 4 written in blue pencil and underlined
    Old matting: 4 written in blue pencil and underlined
  • Inscriptions

    Right margin, Baysunqur [sic] Mirza; left margin, tasvir shah Qasim Anwar. "Portrait of Shah Qasim Anwar."
  • Provenance

    ?-?
    Possibly Georges Demotte (1877-1923), method of acquisition unknown [1]
    ?-1942
    Henri Vever (1854-1942), likely purchased from Georges Demotte [2]
    1942-1947
    Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [3]
    1947-1986
    Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [4]
    From 1986
    Arthur M. Sackler Gallery purchased from Francois Mautin [5]
    Notes:
    [1] See annotation “Est. Dem” on the verso of the work, which suggests the work was estimated and possibly sold by Georges Demotte to Vever. Georges Demotte was a collector and dealer of Islamic and medieval European art. He had galleries in Paris and New York City.
    [2] An accomplished French jeweler and collector, Henri Vever (1854-1942) amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. This object was in Vever's collection at the time of his death in 1942. Vever had the work in his collection at the time of his death.
    [3] Upon Henri Vever's death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the object. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.
    [4] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family's assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as "The Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts." This object is part of that collection. See exhibits F and G as cited in note 3.
    [5] The Arthur M. Sackler Gallery purchased the entirety of the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file.
    Research updated January 22, 2024.
  • Collection

    Arthur M. Sackler Collection
  • Previous custodian or owner

    Henri Vever (1854-1942)
    Jeanne Louise Monthiers (1861-1947)
    François Mautin (1907-2003)
    Georges Demotte (1877-1923)
  • Origin

    Northern India
  • Credit Line

    Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring