Persimmon Tree

Terms of Use
Usage Conditions ApplyAt A Glance
-
Period
late 18th-early 19th century -
Geography
Japan -
Material
Ink and color on paper -
Dimension
H x W x D (overall): 132.9 x 236.4 x 1.9 cm (52 5/16 x 93 1/16 x 3/4 in) -
Accession Number
F1996.28 -
EDAN ID
edanmdm:fsg_F1996.28
Object Details
-
Artist
Nakamura Hochu 中村芳中 (fl. 1790-1813) -
Label
At precisely the same moment that Sakai Hoitsu and his followers were resurrecting the so-called Rimpa style in Edo (Tokyo), Nakamura Hochu was spearheading a similar revival in the Kyoto-Osaka area. Hochu published his own catalogue on Ogata Korin's paintings in 1802, more than a decade before Hoitsu's research was printed.Ripe persimmons on a branch is an autumnal scene rare in Hochu's repertoire, as is the single-panel, standing screen format. The soft wash, puddled pigments and boldly naive brush gestures that define the image are in marked contrast to the precision and polish of Rimpa-style paintings produced in Edo. -
Collection
Freer Gallery of Art Collection -
Exhibition History
Japanese Art from the Collection (October 26, 2024 - ongoing)Bold and Beautiful: Rinpa in Japanese Art (June 28, 2015 to January 3, 2016)East of Eden: Gardens in Asian Art (February 24 to May 13, 2007)More Than Flowers: Sources of Tradition in Japanese Painting (September 2, 2001 to November 24, 2002)Beyond the Legacy--Anniversary Acquisitions of the Freer Gallery of Art (October 11, 1998 to April 11, 1999) -
Origin
Japan -
Credit Line
Purchase — Harold P. Stern Memorial Fund -
Type
Painting -
On View
Freer Gallery 05: Japanese Art from the Collection -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.
Keep Exploring
-
Related Resources
-
Date
-
Name
-
Place
-
Topic
-
Culture
-
Object Type
-
On View