Setting Out Early After a Snowfall

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    early 18th century
  • Geography

    China
  • Material

    Ink and color on silk
  • Dimension

    H x W (image): 148.5 x 103.2 cm (58 7/16 x 40 5/8 in)
  • Accession Number

    F1992.42
  • EDAN ID

    edanmdm:fsg_F1992.42

Object Details

  • Artist

    Zhou Duo (late 17th-early 18th century?)
  • Label

    This large hanging scroll is a masterful reinterpretation of the monumental landscape idiom originally developed during the Northern Song dynasty (960-1127). Judging from its execution, the painting is datable to the early eighteenth century, when such compositions were again in vogue, especially among wealthy collectors in the city of Yangzhou. The artist may have been Zhou Duo, a little-known painter from the city of Nanjing, who inscribed a poem on the painting at upper right. While no other extant works by Zhou have been identified, he evidently practiced during the early to mid-eighteenth century in both his native Nanjing and nearby Yangzhou. His poem reads:
    As wooded hilltops clear of snow, I climb astride my saddle,
    How shall I fear the frigid winds that chill this ancient road!
    I must keep in mind the rustic pleasure of a thatched-roof inn,
    For peaks of jade stretch off afar, all the way to Chang'an.
    A later hand has added several texts to this work to make it appear to be a genuine painting by the artist Guo Zhongshu (ca. 910-977), including a label strip, forged superscription, and fake artist's signature.
  • Provenance

    ?-1959
    Eugene Meyer (1875-1959) and Agnes E. Meyer (1887-1970), method of acquisition unknown [1]
    1959-1970
    Agnes E. Meyer inherited upon the death of her husband, Eugene Meyer [2]
    1970-1992
    Ruth Meyer Epstein (1921-2007), by descent from her mother, Agnes E. Meyer [3]
    From 1992
    The National Museum of Asian Art, Smithsonian Institution, bequeathed by Ruth Meyer Epstein in 1992 [4]
    Notes:
    [1] See note 4.
    [2] Eugene Meyer died in Washington D.C. on July 17, 1959. Upon his death, his wife, Agnes E. Meyer inherited the entirety of the couple's collection.
    [3] The object was part of the Estate of Agnes E. Meyer. Her daughter, Ruth Meyer Epstein inherited the work upon her death.
    [4] See Ruth Meyer Epstein’s Deed of Gift, dated July 9, 1992, copy in object file. This work is part of the Museum’s Freer Gallery of Art Collection.
    Research updated on June 27, 2024
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Guests of the Hills: Travelers in Chinese Landscape Painting (August 23, 2008 to March 15, 2009)
    Chinese Arts of the Brush, 17th - 18th Century (January 21 to July 22, 2001)
  • Previous custodian or owner

    Eugene and Agnes E. Meyer
    Mrs. Ruth Meyer Epstein (1921-2007)
  • Origin

    China
  • Credit Line

    Gift of Ruth Meyer Epstein
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring