Karna Slays a Demon

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1670
  • Geography

    Probably Seringapatam, Karnataka state, South India
  • Material

    Opaque watercolor and gold on paper
  • Dimension

    H x W: 11.8 x 16.6 cm (4 5/8 x 6 9/16 in)
  • Accession Number

    F1975.4
  • EDAN ID

    edanmdm:fsg_F1975.4

Object Details

  • Court

    Mysore Court
  • School/Tradition

    South Indian school
  • Label

    This charged scene is from the Mahabharata (Great Story of the Bharatas), a sacred Hindu epic of ancient India that narrates the great war between two related clans, the Pandavas and the Kauravas. In this scene Karna, mightiest warrior of the Kauravas, slays Ghatotkacha, the giant demon of the Pandavas. On the right, the blue-skinned god Krishna drives the chariot for the Pandava hero Arjuna. Although the artist of this Mahabharata adopted the sharp noses and large, oval eyes of the Vijayanagara court tradition, his style is unique. The figures, which exhibit rounded contours and emphatic modeling, are charged with energy.
    Before paper was introduced into India, manuscripts were written on palm leaves. The horizontal format of this page preserves the shape of a trimmed palm leaf. The text is in Sanskrit, the "refined" ancient literary language of India.
  • Provenance

    At least 1969-1975
    N. V. Hammer, Inc., New York, NY, method of acquisition unknown [1]
    From 1975
    National Museum of Asian Art, Smithsonian Institution, purchased from N. V. Hammer, Inc. [2]
    Notes:
    [1] See incoming receipt, dated December 2, 1969, copy in object file. F1975.4 and F1975.5 were transferred from Kegan Paul, Trench, Trubner, & Co., London, probably on behalf of N. V. Hammer, Inc., to the Freer Gallery of Art for acquisition consideration on December 2, 1969.
    Kegan Paul, Trench, Trubner, & Co.’s connection to F1975.4 and F1975.5 is unknown.
    Nathan Vadim Hammer (1917-1980) owned the gallery N.V. Hammer, Inc. in New York City. The son of Russian-Polish immigrants, he joined his father in the family business, United Metal Box Co., which made kitchen and bath cabinetry for higher-end hotels and apartment buildings. In 1942, the company received its first U. S. federal contract for a 1.5 million ammunition boxes. Nathan served as a Vice President for the company for many years, and about 1975 he and his second wife, Marion (Ariowitsch) Hammer (1919-?), relocated to Switzerland, where Marion was born. After Nathan’s death, Marion would continue to sell art and antiquities in her own name.
    Kegan Paul, Trench, Trubner, & Co. (established 1877), London, was a publisher and bookseller. The firm specialized in Asian and Africa books, as well as Japanese and Chinese prints and paintings. Originally established in 1877 as Kegan Paul & Co. by Charles Kegan Paul (1828-1902), the firm underwent a series of mergers and name changes. Most notably, the firm merged with Routledge & Sons in 1912.
    [2] See object file for copy of N. V. Hammer, Inc., New York, NY, invoice to Freer Gallery of Art, dated May 30, 1975, and marked approved on January 30, 1970. F1975.4 and F1975.5 are both described as, “Indian painting; Krishna in Battle; ca. 1537; ms page from ‘Bhagavata Purana Tanjur.’” The object is part of the museum’s Freer Gallery of Art Collection.
    Research updated February 14, 2024
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Masterworks of Indian Painting (December 13, 1997 to June 13, 1998)
    South and South East Asian Art (May 9, 1993 to February 7, 2000)
    A Decade of Discovery: Selected Acquisitions 1970-1980 (November 9, 1979 to May 22, 1980)
    Indian Art (January 1, 1963 to January 28, 1981)
  • Previous custodian or owner

    N.V. Hammer, Inc.
  • Origin

    Probably Seringapatam, Karnataka state, South India
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring