Listening to the Pines in a Riverside Pavilion

Detail of a pattern
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At A Glance

  • Period

    16th century
  • Geography

    China
  • Material

    Hanging scroll mounted on panel; ink on silk
  • Dimension

    H x W (image): 199.5 x 106.2 cm (78 9/16 x 41 13/16 in)
  • Accession Number

    F1970.36
  • EDAN ID

    edanmdm:fsg_F1970.36

Object Details

  • Artist

    Formerly attributed to Xu Daoning (ca. 1000-after 1066)
  • School/Tradition

    Zhe School
  • Provenance

    Hsiang Yuan-Pien (1525-1590) [1]
    To 1916
    Pang Yuanji (1864-1949), Shanghai [2]
    From 1916 to 1970
    Eugene Meyer (1875-1959) and Agnes E. Meyer (1887-1970), New York, NY, Washington, DC, and Mt. Kisco, NY, purchased from Pang Yuanji in 1916 [3]
    From 1970
    Freer Gallery of Art, bequeathed by Agnes E. Meyer in 1970 [4]
    Notes:
    [1] The Ming collector’s, Hsiang Yuan-pien’s seal is located on the painting, see Eugene and Agnes E. Meyer Memorial Exhibition (Washington: Freer Gallery of Art, Smithsonian Institution, 1973), p. 56, no. 25 (ill.).
    [2] The painting was published and illustrated in Pang Yuanji’s catalogue, Antique Famous Chinese Paintings Collected by P’ang Lai Ch’en (Tang Wudai Song Yuan minghua), vol. 1 (Shanghai, Privately published by Pang Yuanji, 1916), no. 20: “Hsü Toa Ning, Listening to the Pines at the Hermitage.”
    Pang Yuanji’s collector seal is located on the painting.
    [3] In 1916 Pang Yuanji, with the assistance of dealers Pang Zanchen and Seaouke Yue, sent a group of paintings illustrated in Antique Famous Chinese Paintings Collected by P’ang Lai Ch’en catalogue to New York where they were shown to Charles Freer. See Ingrid Larsen, “‘Don’t Send Ming or Later Pictures’: Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum,” Ars Orientalis vol. 40 (2011), p. 23. Freer made a selection of twenty one paintings for his collection and advised the Meyers and Louisine Havemeyer with their acquisitions. Freer’s copy of the 1916 Pang catalogue includes pencil annotations indicating that this painting was purchased by Agnes E. Meyer.
    [4] The painting is included in a codicil to Agnes E. Meyer’s will and testament, dated December 23, 1969, copy in object file
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Masterpieces of Chinese Painting (IV) (June 12 to November 28, 2010)
    Masterpieces of Chinese Painting (III) (May 29, 1999 to January 30, 2000)
    Ming Dynasty Paintings (December 4, 1978 to June 14, 1979)
    Chinese Album Leaves and Fan Paintings (September 14, 1977 to April 8, 1978)
    Chinese Figure Painting (September 17, 1973 to January 3, 1975)
    Eugene and Agnes E. Meyer Memorial Exhibition (September 25, 1971 to October 2, 1972)
    Chinese Art (January 1, 1963 to March 6, 1981)
  • Previous custodian or owner

    Hsiang Yuan-Pien (1525-1590)
    Pang Yuanji 龐元濟 (1864-1949)
    Eugene and Agnes E. Meyer
  • Origin

    China
  • Credit Line

    Gift of Eugene and Agnes E. Meyer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

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