Thirty-Six Poets

In the early eleventh century the poet Fujiwara no Kinto (966-1041) selected and anthologized the works of thirty-six notable poets--thirty-one men and five women--who were active in Japan from the seventh through the early eleventh century. The poetry produced by this grouping came to represent the pinnacle of Japanese aesthetic sensibility. From the thirteenth century, paintings featuring idealized images of the poets, together with texts of their representative poems, began to appear.

Hoitsu's presentation of the august assemblage is full of comic reference, reflecting an Edo-period (1615-1868) penchant for parodying staid classical subjects. Hoitsu portrays only thirty-five playfully caricatured faces and postures. The missing poet, Saigu no Nyogo, is not seen in probable deference to her imperial status; her presence behind the white curtain is presumed.

Hoitsu modeled this painting on a similar work by Ogata Korin (1658-1716). The frame surrounding the screen is signed by Hara Yoyusai (1772-1845), a lacquer artist who frequently collaborated with Hoitsu.