Excavated at Liangshan in Shouzhang xian, Shandong province, China, in mid-19th century 
Zhong Yangtian (Zhong Yanpei) collection, Jining, Shandong province 
Li Zongdai (active 1849-1896) collection 
Pulun (1869-1925/27) collection 
Huang Jun (1880-1952) collection 
Possibly Ding collection, Weixian, Shandong province 
Marcel Bing (1875-1920), Paris, France 
1915 to 1959
Eugene Meyer (1875-1959) and Agnes E. Meyer (1887-1970), Washington, DC and Mt. Kisco, NY, purchased from Marcel Bing through C. T. Loo, Lai Yuan & Co., New York in December 1915 
1959 to 1961
Agnes E. Meyer inherited upon the death of her husband, Eugene Meyer on July 17, 1959 
Freer Gallery of Art, gift of Eugene and Agnes E. Meyer, 1961 
 The gui is said to be one of seven bronze vessels unearthed in Shouzhang xian. For the discussion of the circumstances of the discovery of these vessels and their subsequent ownership history see Thomas Lawton, "A Group of Early Western Chou Period Bronze Vessels," Ars Orientalis vol. 10 (1975), pp. 111-121. According to Lawton, the earliest known dated reference to the vessels is provided by Xu Zonggan (1796-1866), in Jizhou jinshi zhi, 1845 (the preface is dated September 24, 1843). Alternative date for the discovery of the bronzes is provided by Fang Junyi (died 1899), in Zhuiyizhai yiqi kaoshi (completed 1894, published 1935). Fang states that the vessels (he lists only six bronzes, including the Freer gui) had been found at Shouzhang xian during the Xianfeng period (1851-61), see Lawton 1975, p. 116. Rong Geng (1894-1983) records that six vessels, including the Freer gui, were found at Shouzhang during the Daoguang period (1821-50), see Rong Geng, Shang Zhou yiqi tongkao (Beijing: Hafo Yanjing xueshe, 1941), vol. 1, p. 340, vol. 2, pl. 152, no. 281.
 Xu Zonggan states that the group of seven vessels had been acquired "recently" by Zhong Yangtian, see Xu Zonggan, Jizhou jinshi zhi (Nantong: Privately published, 1845), as cited by Lawton 1971, pp. 111-112. See also Chen Mengjia (1911-1966), "Xi Zhou tongqi duandai" (Chronology of Western Chou Bronze Vessels), part 2, in Kaogu xuebao 10 (December 1955), p. 96, as cited by Lawton 1975, p. 114, n. 13.
 According to Chen Mengjia, Li Zongdai (active 1849-1896) succeeded Zhong Yangtian as the owner of the vessel, see Chen Mengjia 1955, p. 96, as cited by Lawton 1975, p. 114, n. 13.
 Pulun (1869-1925/27) was a fifth-generation descendant of the Qianlong Emperor (reigned 1735-96), and the first son of Zaizhi (1839-1880), see Chen Mengjia 1955, p. 96, as cited by Lawton 1975, p. 114, n. 13.
 The bronze was reproduced in Huang Jun (1880-1952), Zunguzhai suojian jijin tu (Beiping: Zunguzhai, 1936), vol. 2, p. 7a.
 See C. T. Loo, Lai-Yuan & Co.'s invoice issued to Mr. and Mrs. Eugene Meyer, dated December 10, 1915, copy in object file. According to a note on the invoice, the vessel came from "Collection Ting of Wei-Shien," copy in object file.
 Bing's ownership is documented in the invoice cited in note 6 and is further documented in several locations, including: : November 11, 1915 letter from Marcel Bing to Charles Lang Freer; letters from December 10 and 15 from Eugene Meyer to Charles Lang Freer; telegrams exchanged between Marcel Bing, Charles Lang Freer, and Eugene Meyer dating from November 15 to December 5, 1915; February 2, 1916 letter from Charles Lang Freer to Marcel Bing. Copies of aforementioned documents in object file.
 Eugene Meyer, Agnes E. Meyer, and Charles Lang Freer negotiated with Marcel Bing to arrange a joint purchase of Bing's collection of 11 Chinese bronzes and 1 jade. See correspondence cited in note 2. The Meyers and Freer decided to divide the collection - Meyers acquiring 5 bronzes (including this object) and Freer acquiring 6 bronzes in addition to the jade -- and the price, calculating each party's payment was based on the appraisal values assigned to each piece. The Meyers ultimately sent the entire payment to C. T. Loo, Lai Yuan & Company (sometimes spelled Lai-Yuan), who in turn wired money to Bing. Lai Yuan & Company received a consigners fee from Bing. Meyers made the payment in early December 1915, with Freer paying the Meyers for the objects destined for his collection on December 14, 1915. All the objects included in this large sale, which were originally divided between the Meyers and Freer, are now in the museum's collection ( F1915.102; F1915.03a-b; F1915.104; F1915.105; F1915.106a-f; F1915.107; F1915.108; F1961.30a-b; F1961.32a-b; F1968.28; F1968.29). For a full explanation of the joint endeavor between the Meyers and Freer, see: Dorota Chudzicka, "'In Love at First Sight Completely, Hopelessly, and Forever with Chinese Art': The Eugene and Agnes Meyer Collection of Chinese Art at the Freer Gallery of Art" in Collections Vol. 10, No. 3 (Summer 2004), 334-335 and Thomas Lawton and Linda Merrill, Freer: A Legacy of Art (Washington DC: Freer Gallery, Smithsonian Institution, 1993), pp. 220-221, 223, 226.
Shortly after the purchase, the Meyers lent the bronze to an exhibition in Metropolitan Museum of Art in New York in 1916, see S. C. Bosch Reitz, Catalogue of an Exhibition of Early Chinese Pottery and Sculpture, exh. cat. (New York, Metropolitan Museum of Art, 1916), cat. 335 (ill.).
 Eugene Meyer died in Washington D.C. on July 17, 1959. Upon his death, his wife, Agnes E. Meyer inherited the entirety of the couple's collection.
 See Agnes E. Meyer's Deed of Gift, dated December 21, 1961, copy in object file.
- Previous Owner(s)
Li Zongdai active (1849-1896)
Marcel Bing 1875-1920
Eugene and Agnes E. Meyer (1875-1959) and (1887-1970)
C.T. Loo 1880-1957
Huang Jun 1888-1944
Lai-Yuan 1908-ca. 1915
Richly decorated bronze containers were used in ritual banquets to honor ancestors. This gui, cast with an inscription acknowledging the Taibao’s role in suppressing a rebellion that threatened the very existence of the royal house, would have been a family treasure for generations.
Based on events chronicled in the inscription inside the container, this is one of the earliest dateable bronzes from the Zhou dynasty:
"The king attacked Luzi Sheng and suppressed his rebellion. The king sent down the campaign command to the Taibao who was respectful and free of error. The king immortalized the Taibao, granting him lands at Song. [The Taibao] uses this vessel to respond to the command."
- Published References
- William Watson. The Art of Dynastic China. New York, 1981. cat. 243.
- Sigisbert Chrétien Bosch Reitz. Catalogue of an Exhibition of Early Chinese Pottery and Sculpture. Exh. cat. New York. fig. 335.
- Masterpieces of Chinese and Japanese Art: Freer Gallery of Art handbook. Washington, 1976. p. 12.
- Thomas Lawton. Eugene and Agnes E. Meyer Memorial Exhibition. Exh. cat. Washington, 1971. cat. 8, pp. 16-17.
- Shou Chen. Ta Pao kuei ti fu ch'u ho Ta Pao chu ch'i. no. 4. cat. 2, pp. 23-30, 26.
- Thomas Lawton. A Group of Early Western Chou Period Bronze Vessels. vol. 10, 1975. pp. 111-121, fig. 1.
- Thomas Lawton, Linda Merrill. Freer: a legacy of art. Washington and New York, 1993. p. 227, fig. 160.
- Dorota Chudzicka. In Love at First Sight Completely, Hopelessly, and Forever with Chinese Art: The Eugene and Agnes Meyer Collection of Chinese Art at the Freer Gallery of Art. vol. 10, no. 3, Summer 2004. pp. 334-335.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
Usage Conditions Apply
CC0 - Creative Commons (CC0 1.0)
Usage Conditions Apply
Chrome users: right click on icon, select "save link as..."
Internet Explorer users: right click on icon, select "save target as..."
Mozilla Firefox users: right click on icon, select "save link as..."