Claude Anet (1868-1931), Paris to 1931 
Hagop Kevorkian (1872-1962), acquired in Paris, March 21, 1932 
Freer Gallery of Art, puchased from Hagop Kevorkian in 1932 
 Object file, folder sheet note.
 See Hagop Kevorkian's letter to Mr. Lodge, dated March 25, 1932 Paris, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
 Object file, undated folder sheet note. See also Freer Gallery of Art Purchase List file, Collections Management Office.
- Previous Owner(s)
Claude Anet 1868-1931
Hagop Kevorkian 1872-1962
Detached folio from a copy of the Divan (collected poems) by Hafiz (F1932.45) with selections from the work of Ibn Yamin, Omar Khayyam, and Nizami in the margins; text: Persian in black nasta'liq script; recto: illustration: Wine shop; verso: text: two columns, 12 lines; one of a group of 9 detached folios (F1932.46-54) from the bound manuscript (F1932.45); accessioned separately.
Border: The text and the painting are set in gold and blue rulings on cream-colored paper.
On the spandrel: "Oh opener of the doors."
A common symbol for the Sufi search for divine knowledge was wine, which with its properties of loosening one's hold on reality, helped the mystic to achieve a state bordering on spiritial ecstasy. Since the orthodox tenets of Islam forbade wine-drinking, it often occurred in remote wineshops, run by certain non-Muslims generally known as Magians.
Here the wineshop is represented as an elegant place, with women and children peering down from the upper windows and balconies. On the outdoor terrace edged with flowering trees, an old man or pir, who is both the tavern-keeper and a regligious elder, greets the guests. One young man already seems overcome by the wine, whose real and symbolic effects are aptly described in the white inscription over the portal: "O Opener of Doors!"
- Published References
- Freer Gallery of Art. Gallery Book III: Exhibition of September 5, 1933. Washington, September 5, 1933. .
- Collection Area(s)
- Arts of the Islamic World
- Web Resources
- Google Cultural Institute
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