Li Wenqing (late 19th-early 20th century), Shanghai, to 1916 
From 1916 to 1919
Charles Lang Freer (1854-1919), purchased from Li Wenqing, in New York, in 1916 
Freer Gallery of Art, gift of Charles Lang Freer in 1920 
 See Original Kakemono and Makimono List, L. 1040, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
 See note 1.
 The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Previous Owner(s)
Charles Lang Freer 1854-1919
Li Wenqing (C.L. Freer source) ca. 1869-1931
Although lacking an artist's signature, this large landscape can be assigned on the basis of style and execution to a mid- to late-seventeenth-century follower of the Nanjing School, such as Fan Qi (1616after 1697) or Gao Cen (active 1640s1679). Each element in the landscape is skillfully rendered. Sharp brushwork defines the trees and houses, while a palette of light, subtle colors, and a carefully modulated range of ink tonalities create a harmonious blend of gentle atmospheric effects. A stream and mountain path converge at the village, then split again, leading one's view alternately to the towering bluffs and crags on the left, or into a second valley with a distant waterfall at right. The artist's exposure to Western techniques of perspective, introduced into China by Jesuit artist-missionaries in the seventeenth and eighteenth centuries, is clearly apparent.
- Published References
- Suzuki Kei. Chugoku kaiga sogo zuroku [Comprehensive Illustrated Catalog of Chinese Painting]. 5 vols., Tokyo, 1982-1983. vol. 1: p. 189.
- Osvald Siren. Chinese Paintings in American Collections. Annales du Musee Guimet. Bibliotheque d'art. Nouvelle serie. II Paris and Brussels, 1927-1928. pl. 130.
- Stanton MacDonald Wright. Some Aspects of Sung Painting. vol. 242 Washington, October 1949. p. 221.
- Collection Area(s)
- Chinese Art
- Web Resources
- Google Cultural Institute
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