Kosa Honma (1842-1909), to 1904 
From 1904 to 1919
Charles Lang Freer (1854-1919), given by Kosa Honma in 1904 
Freer Gallery of Art, gift of Charles Lang Freer in 1920 
 See Original Pottery List, L. 131, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
 See note 1.
 The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Previous Owner(s)
Honma Kosa (C.L. Freer source) 1842-1909
Charles Lang Freer 1854-1919
The painted decoration of bush clover and pampas grass, both of which are included among a poetic "seven grasses of autumn," provides seasonal nuance. It could be argued that the curving contour of the reserved white surface suggests the full moon, in which case the theme would be Musashino, a plain in the western Kanto region. This was a reedy hinterland in the poetic imagination, but irreverent critics maintain that it was reallly a mixed hardwood forest managed by locals as a charcoal supply.
- Published References
- Mitake Hideyuki. "尾形乾山を引き継いだ陶芸家たち: 三浦乾也一門 =." Potter of Ogata Kenzan believers: Miura Kenya and his partners. Tokyo. p. 21, No. 30.
- Richard L. Wilson. The Potter's Brush: The Kenzan Style in Japanese Ceramics. Exh. cat. Washington. cat. 60, p. 144.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
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