Bunkio Matsuki (1867-1940), Boston, to 1902 
From 1902 to 1919
Charles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1902 
Freer Gallery of Art, gift of Charles Lang Freer in 1920 
 See Original Pottery List, L. 1115, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
 See note 1.
 The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Previous Owner(s)
Charles Lang Freer 1854-1919
Bunkio Matsuki (C.L. Freer source) 1867-1940
The small size, minimal sculpting, and dull black glaze associate this bowl with the formative phase of Raku tea bowl production in the 1580s, when this type of hand-formed bowl allegedly originated through the collaboration of Chojiro (died 1589), a maker of roof tiles, and Sen no Rikyu (1522-1591), the foremost tea master of the day. This bowl does not closely resemble the workmanship associated specifically with Chojiro; it may have been made by another potter in Chojiro's workshop--or even by a completely unrelated workshop. Recent archaeological findings indicate that several different Kyoto workshops were producing such tea bowls. The Raku workshop lasted longest and became best known.
- Published References
- Hanna Szczepanowska. Conservationof Cultural Heritage: Key Principles and Approaches. .
- Morgan Pitelka. Handmade Culture: Raku Potters, Patrons, and Tea Practitioners in Japan. Honolulu. pl. 2.
- Thomas Kerrigan. Raku. Richmond, VA, Spring 1971. fig. 1.
- Oriental Ceramics (Toyo Toji Taikan): The World's Great Collections. 12 vols., Tokyo. pl. 207.
- James C. Watkins Paul Andrew Wandless. Alternative Kilns and Firing Techniques: Raku, Saggar, Pit, Barrel., 1st ed. New York. p. 14.
- Beatrice Hohenegger. Liquid Jade: The Story of Tea from East to West., 1st ed. New York. p. 45.
- Louise Allison Cort. Early Modern Merchants as Collectors. Abingdon, Oxon England, 12/19/2016. p. 58, fig. 3.5.
- Impressions: The Journal of the Japanese Art Society of America. no. 39 Lexington, MA, 2018. p.152, fig. 30.
- Richard L. Wilson. The Potter's Brush: The Kenzan Style in Japanese Ceramics. Exh. cat. Washington. p. 158, fig. 40.
- Edwards Park. Treasures from the Smithsonian Institution., 1st ed. Washington and New York. p. 357.
- Collection Area(s)
- Japanese Art
- Web Resources
- Google Cultural Institute
- SI Usage Statement
Usage conditions apply
CC0 - Creative Commons (CC0 1.0)
Usage Conditions Apply
Chrome users: right click on icon, select "save link as..."
Internet Explorer users: right click on icon, select "save target as..."
Mozilla Firefox users: right click on icon, select "save link as..."