A Myriad Bamboo in Autumn

Detail of a pattern
Image 1 of 41
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1410
  • Geography

    China
  • Material

    Ink on paper
  • Dimension

    H x W (image): 26.1 x 847 cm (10 1/4 x 333 7/16 in)
  • Accession Number

    F1952.7
  • EDAN ID

    edanmdm:fsg_F1952.7

Object Details

  • Artist

    Wang Fu (1362-1416)
  • Calligrapher

    Frontispiece by Lu Shen (1477-1544)
  • Label

    Wang Fu was the most highly accomplished painter of bamboo during the early Ming dynasty (1368-1644). In this ingenious composition, he skillfully combined a close-up view of bamboo seen from ground level with a traditional river painting in the handscroll format. Throughout the painting, about one-third of which is on display, Wang masterfully blended a range of contrasting ink tones-the dark, spiky leaves of the bamboo standing out in silhouette from the lighter background rocks and further shore-to create an engaging visual narrative of a small stream flowing through a bamboo forest. According to records, Wang Fu painted several handscrolls in this style; however, the current painting is the only original example known to survive. In his inscription at the left end of the painting, Wang Fu recorded the circumstances that led to his creation of this work:
    "I had been weary of painting for a long time, when one day Master Yu Xingjian brought this scroll to me and asked for an ink painting of the "gentleman" [i.e., bamboo]. At the time, I was a bit tipsy from drinking some wine, and just as I happily started to wield my brush, without noticing it, I had come to the end of the paper.
    Although its manner does not fully conform to the rules of the old masters, still it captures a mood of easy country living that comes from my own ideas, so perhaps it is something worth having. Since Master Yu by nature has a very lofty disposition and is an expert connoisseur of the arts, he will certainly ignore its external appearance [and perceive the true inner qualities of the work]."
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Looking Out, Looking In: Art in Late Imperial China (October 14, 2017 - ongoing)
    Beyond Brushwork: Symbolism in Chinese Painting (April 29 to November 26, 2006)
    Three Friends of Winter: Pine, Bamboo, and Plum in Chinese Painting (August 12, 2001 to February 3, 2002)
    Chinese Flower Paintings (March 18 to September 22, 1983)
    Ming Dynasty Paintings (December 4, 1978 to June 14, 1979)
    Chinese Art (January 1, 1963 to March 6, 1981)
  • Origin

    China
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring