Feathered Ink

Freer Gallery of Art | Galleries 5, 6a, 7

Across three galleries, Feathered Ink explores how Japanese artists have experimented over several centuries with different brush techniques in their depictions of avian subjects. Drawing from the Freer Gallery of Art’s extensive collection of bird-and-flower paintings, the exhibition includes hanging scroll paintings, folding screens, ceramics, and printed books.

In Japan, paintings on the theme of birds and flowers began to appear during the Heian period (794–1185) as a way of referencing seasonal associations or auspicious homonyms or of replicating the natural world in remarkable detail. Depicting a variety of bird species in naturalistic or paradisiacal environments offers a tantalizing opportunity for an artist to showcase their skills through the use of virtuosic ink brushwork techniques to represent different feather types and the textures of plumage and foliage. Adding colors can provide further layers of symbolic meaning and decorative effect. Birds are also popular motifs found on early modern Japanese ceramics, rendered through inlaid slip designs, molding, and polychrome pigments. Some of the vessels in this exhibition even provide a glimpse into how Japanese potters emulated the painterly effects of ink on clay surfaces.

Geese Over a Beach, F1898.143 thumbnail
Birds and Flowers of the Four Seasons: Spring and Summer, F1953.94 thumbnail
Auspicious Symbols: Crane, Rising Sun and Peach, F1998.297 thumbnail
Square dish with design of Twelfth Month, after Fujiwara Teika, Poems of the Twelve Months, F1905.58 thumbnail
Dish with design of white hawk, F1974.34 thumbnail
Kenzan-style Black Raku tea bowl with design of standing cranes, F1901.71 thumbnail

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