The World of Animals

Detail of a pattern
Image 1 of 1
IIIF

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At A Glance

  • Period

    ca. 1590
  • Geography

    India
  • Material

    Opaque watercolor, ink and gold on paper
  • Dimension

    H x W: 33.8 x 21.7 cm (13 5/16 x 8 9/16 in)
  • Accession Number

    F1945.29
  • EDAN ID

    edanmdm:fsg_F1945.29

Object Details

  • Artist

    Miskin (active late 1570s–ca. 1604)
  • Court

    Mughal Court
  • School/Tradition

    Mughal school
  • Provenance

    At least 1928-?
    Demotte, Inc., New York, NY, method of acquisition unknown [1]
    ?-?
    Ownership information unknown
    ?-1945
    Heeramaneck Galleries (active 1928-1964), New York, NY, method of acquisition unknown [2]
    From 1945
    Freer Gallery of Art, purchased from Heeramaneck Galleries [3]
    Notes:
    [1] See Edgar Blochet, “Catalogue of an Exhibition of Persian Paintings from the XIIth to the XVIIIth cent. Formerly from the Collections of the Shahs of Persia and of the Great Moguls held at the Gallery Demotte Inc.,” [sale catalogue], (New York: Demotte, Inc., November-December 1928), cat. 173, p. 10. Object is described as, “Very fine painting in pale tints, inspired by the perspective and decoration of frescos taken from the Persian dictionary entitled Farhang-i-Djihanguiri, which was illuminated in 1608 for Emperor Djihanguir and representing all the animals of creation, under a tree, in the branches of which monkeys are chattering. [/] This composition is surrounded by large margins, decorated with gold designs representing birds.”
    See also Milo Beach, “The Imperial Image: Paintings for the Mughal Court,” (Washington, DC and Ahmedabad, India: Freer Gallery of Art and Arthur M. Sackler Gallery and Mapin International Inc., 2012), cat. 45, pp. 172-174. Milo Beach states that “this drawing was later mounted (to enhance its appeal to collectors) within the borders of a Farhang-i Jahangiri manuscript before it was sold by the Parisian dealer Georges Demotte.”
    Georges Demotte (1877-1923) was a collector and dealer of Islamic and medieval European art. He had galleries in Paris and New York City.
    [2] See letter and object list from Nasli Heeramaneck to Richard Ettinghausen, dated February 21, 1945, copy in object file. Nasli Heeramaneck’s letter states that he has shipped this object to the Freer Gallery of Art. In the object list, this object is described as, “Indian drawing with birds, animals, reptiles in a rocky landscape with trees.”
    Heeramaneck Galleries in New York, NY owned and operated by Nasli M. (1902-1971) and Alice N. Heeramaneck (née Arvine) (1910-1993). The Heeramaneck’s were dealers and collectors of Pre-Columbian and Asian art. Nasli Heeramaneck began his career as a dealer in Paris during the 1920s and relocated to New York, NY in 1927. In 1939, Nasli married Alice Arvine, an American portrait painter from New Haven, CT. Nasli founded Heeramaneck Galleries in New York, NY by 1928. He began to retire in 1964 and liquidated some of the gallery’s stock at auction at Parke-Barnet, New York in 1964 and 1965. Many objects from the Heeramaneck collection were either purchased or donated to American museums. Items from their collection may be found in The British Museum; the Cleveland Museum of Art; Los Angeles County Museum; The Metropolitan Museum of Art; Museum of Fine Arts, Boston; National Museum of New Delhi; Virginia Museum of Fine Arts; and Yale University.
    [3] See object file for copy of the Heeramaneck Galleries invoice to Freer Gallery of Art, dated May 26, 1945, and marked approved on May 19, 1945. Object is described as, “Indian painting of the World of Animals.”
    Research updated November 27, 2023
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Body Image (October 14, 2017 - ongoing)
    Worlds within Worlds: Imperial Paintings from India and Iran (July 28 to September 16, 2012)
    The Natural World in Indian Painting (September 4, 1996 to May 17, 1997)
    South and South East Asian Art (May 9, 1993 to February 7, 2000)
    The Arts of South Asia (May 13, 1985 to December 2, 1985)
    The Imperial Image: Painting for the Mughal Court (September 25, 1981 to 30 March 1982)
    The Brush of the Masters: Drawings from India (October 14, 1978 to May 15, 1979)
    Special Exhibition, Near Eastern Art (September 15, 1953 to February 9, 1954)
  • Previous custodian or owner

    Demotte, Inc.
    Heeramaneck Galleries (active 1928-1964)
  • Origin

    India
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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