Nakamura Tomijūrō II as the Wife (Nyōbō) Oryū, actually the Spirit of a Willow Tree (Yanagi no sei) (R), Ichikawa Danjūrō VIII as the Woodcutter (Kikori) Magosaku (C), and Nakamura Nakasuke II as the Villain (Warumono) Iwamatsu (L) 「女房おりう実柳ノ精」 二代目中村富十郎 「樵夫孫さく」 市川団十郎 「悪者岩松」 中村仲助

Detail of a pattern
Image 1 of 3
IIIF

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At A Glance

  • Period

    1854, 3rd month
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (521a (right)): 35.3 × 25 cm (13 7/8 × 9 7/8 in)
  • Accession Number

    S2021.5.521a-b
  • EDAN ID

    edanmdm:fsg_S2021.5.521a-b

Object Details

  • Artist

    Utagawa Kunisada 歌川国貞 (1786-1865)
  • Publisher

    Kiya Sojiro 木屋宗次郎 (active 1851-1904)
  • Block carver

    Ota Tashichi (Komakichi) 太田多七 (active ca. 1834-1882)
  • Label

    When an imperial falcon becomes entangled in the branches of a willow tree during a hunt, a kindly man named Heitarō intervenes to prevent the tree from being cut down. Shortly after, he meets a beautiful woman, Oryū, who bears him a son. Several years later, woodcutters return for the tree, and this time they cannot be stopped. Before vanishing, Oryū (right) reveals herself to have been the grateful spirit of the willow all along—the swirling leaves around her hinting at her true nature.
    right: Nakamura Tomijūrō II as the Wife (Nyōbō) Oryū, actually the Spirit of a Willow Tree (Yanagi no sei)
    center: Ichikawa Danjūrō VIII as the Woodcutter (Kikori) Magosaku
    left: Nakamura Nakasuke II as the Villain (Warumono) Iwamatsu
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Staging the Supernatural: Ghosts and the Theater in Japanese Prints (March 23 to October 6, 2024)
  • Origin

    Japan
  • Credit Line

    The Pearl and Seymour Moskowitz Collection
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

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