EM Club #28
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
ca. 1990 -
Geography
Japan -
Material
Gelatin silver print -
Accession Number
S2018.2.113 -
EDAN ID
edanmdm:fsg_S2018.2.113
Object Details
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Artist
Ishiuchi Miyako (Japan, born 1947) -
Label
After World War II, Yokosuka became the site of a controversial US naval base and an important subject for postwar photographers. The city cast a long shadow over much of Ishiuchi Miyako’s work. Born in 1947, Ishiuchi moved to Yokosuka at age six and spent over a decade fearing and hating the place. She began returning in the 1970s to document it, driven by her traumatic experience as a young woman growing up near an American military base.Shooting and printing the images allowed Ishiuchi to grapple with her strong reactions to revisiting her hometown. For her last major series on Yokosuka, she confronted the neighborhood abutting the base and the EM (Enlisted Men’s) Club, which was demolished in 1990. With each grainy, dark print, Ishiuchi manifested her revulsion upon entering such buildings and sensing those who once passed through it. -
Collection
National Museum of Asian Art Collection -
Exhibition History
Japan Modern: Photography from the Gloria Katz and Willard Huyck Collection (September 29, 2018 to January 24, 2019)Ishiuchi Miyako: Postwar Shadows (October 06, 2015 to February 21, 2016) -
Origin
Japan -
Credit Line
Purchase and partial gift from the Gloria Katz and Willard Huyck Collection — Acquisition fund in honor of Julian Raby, director emeritus of the National Museum of Asian Art -
Type
Photograph -
Restrictions and Rights
Usage Conditions Apply
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