Disarm, from the series, Desert of Pharan

Object Details

• Artist

  Ahmed Mater (Saudi Arabia, born 1979)

• Edition/State

  2/5

• Label

  Ahmed Mater works in a variety of media, including painting, performance, installations, and photography. His works often resonate with the tension between religious tradition and the realities of contemporary Saudi Arabian life. Since 2010, he has focused especially on photography and video to explore the social impact of the political and economic changes taking place in Saudi Arabia.

  Desert of Pharan is Mater’s first long-form photographic project, produced after spending a year living in Mecca and gaining unique access to its inhabitants and the many migrant workers rebuilding the city. At the core of this massive urbanization project is the destruction of historic architecture and the expansion of the Grand Mosque. The familiar, mountainous horizon once dominated by the Kaaba is being transformed into a high-rise complex of luxury amenities to accommodate the growing religious tourism industry and affirm political authority in a globally important site. Under the glow of the iconic clock tower—Mecca’s new dominant symbol—luxury hotels, condominiums, shopping malls, and enormous prayer rooms are reshaping the city. Photographing from the edges of the diminishing old city or from within the gleaming new towers at its center, Mater presents a multifaceted view of the stunning scale of destruction and reconstruction.

  Disarm is a culmination of the series and represents Mater’s own development as a photographer. Both format and content recall his first experiments with x-ray imaging, earlier aerial views of Saudi Arabia’s scarred landscapes, and his growing concern for the social and environmental impact of urbanization. In still shots of footage from military surveillance cameras, Mecca becomes an alien place where the clock tower tilts in cold blue light, dirt construction roads cut through the landscape, and illegal immigrants cross mountains in the night. Disarm effectively conveys not only the changing mood of a place, but also links Mater to an important chapter in the evolution of photography. These ten views of Mecca recall the military roots of the aerial perspective and its impact on perceptions of place. Furthermore, the notion of the surveillance eye is a major theme in contemporary photography.

• Collection

  National Museum of Asian Art Collection

• Exhibition History

  Symbolic Cities: The Work of Ahmed Mater (March 19 to September 18, 2016)

• Origin

  Saudi Arabia

• Credit Line

  Purchase — funds provided by the Friends of the National Museum of Asian Art

• Type

  Photograph

• Restrictions and Rights

  Usage Conditions Apply

  There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

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Keep Exploring

• Related Resources

  collections.si.edu

• Date

  2010s

• Name

  Mater, Ahmed

• Place

  Saudi Arabia

• Topic

  Contemporary Art, Art, Kaaba, Mecca, Arts of the Islamic World

• Culture

  Muslims

• Object Type

  Photographs