Jabril, from the series, Desert of Pharan

Detail of a pattern
Image 1 of 1
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    2011-2013 (printed 2016)
  • Geography

    Saudi Arabia
  • Material

    Dye sublimation print on aluminum
  • Dimension

    H x W: 90 × 110 cm (35 7/16 × 43 5/16 in)
  • Accession Number

    S2016.18
  • EDAN ID

    edanmdm:fsg_S2016.18

Object Details

  • Artist

    Ahmed Mater (Saudi Arabia, born 1979)
  • Printer

    Griffin Editions
  • Frame maker

    Baobab Frames
  • Edition/State

    1/8
  • Label

    Ahmed Mater works in a variety of media, including painting, performance, installations, and photography. His works often resonate with the tension between religious tradition and the realities of contemporary Saudi Arabian life. Since 2010, he has focused especially on photography and video to explore the social impact of the political and economic changes taking place in Saudi Arabia.
    Desert of Pharan is Mater’s first long-form photographic project, produced after spending a year living in Mecca and gaining unique access to its inhabitants and the many migrant workers rebuilding the city. At the core of this massive urbanization project is the destruction of historic architecture and the expansion of the Grand Mosque. The familiar, mountainous horizon once dominated by the Kaaba is being transformed into a high-rise complex of luxury amenities to accommodate the growing religious tourism industry and affirm political authority in a globally important site. Under the glow of the iconic clock tower—Mecca’s new dominant symbol—luxury hotels, condominiums, shopping malls, and enormous prayer rooms are reshaping the city. Photographing from the edges of the diminishing old city or from within the gleaming new towers at its center, Mater presents a multifaceted view of the stunning scale of destruction and reconstruction.
    Jabril is a still image from a video capturing the working conditions of migrant laborers in Mecca. Extracted as a single image, this worker’s mundane task of installing one of the five enormous crescents atop the clock tower complex becomes spectacular as he glides through the air, in Mater’s words, “like an angel bringing a warning.” While the crescent symbol is typically associated with the Islamic calendar and traditional mosque architecture, this golden crescent adorns a gleaming new real estate development. Jabril has become emblematic of the Desert of Pharan series, capturing in a single, spare composition the troubling essence of the changes reshaping Islam’s holiest city.
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Symbolic Cities: The Work of Ahmed Mater (March 19 to September 18, 2016)
  • Origin

    Saudi Arabia
  • Credit Line

    Purchase — funds provided by Antoine and Emily van Agtmael
  • Type

    Photograph
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring