Pendant in the form of a fish with an ear cleaner

Detail of a pattern
Image 1 of 2
IIIF

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At A Glance

  • Period

    ca. 1250-ca. 1050 BCE
  • Geography

    Anyang, probably Henan province, China
  • Material

    Jade (nephrite)
  • Dimension

    H x Diam: 6.6 × 0.7 cm (2 5/8 × 1/4 in)
  • Accession Number

    S2012.9.302
  • EDAN ID

    edanmdm:fsg_S2012.9.302

Object Details

  • Provenance

    By 1934 to 1948
    Naiji Zhang (1899–1948), Shanghai, China then New York, NY [1]
    1948 to early 1950s
    Mei Chien Zhang (1901–c.1955), New York, NY inherited upon her husband’s death [2]
    Possibly around 1954 to 1961
    C. T. Loo Chinese Art, New York, NY possibly purchased from Zhang Mei Chien in New York, NY in the early 1950s [4]
    Possibly from 1961 to 1964
    Frank Caro Chinese Art, New York, NY, mode of acquisition unknown [5]
    Possibly to late 1950s
    J. T. Tai & Company, New York, NY possibly purchased from Zhang Mei Chien in New York, NY during July 1954 [4]
    Late 1950s to 1997
    Dr. Paul Singer, Summit, NJ purchased from J. T. Tai & Company, C. T. Loo & Company, or Frank Caro Chinese Art in New York [5]
    1997 to 1999
    In the custody of Arthur M. Sackler Gallery, upon the death of Paul Singer in 1/1997 and a loan agreement in 2/1997 [6]
    From 1999
    Arthur M. Sackler Gallery, gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Dr. Arthur M. Sackler [7]
    Notes:
    [1] Naiji Zhang lent to the International Exhibition of Chinese Art in London, 1935, see: Catalogue of the International Exhibition of Chinese Art (London, Royal Academy of Arts, November 18, 1935 – March 7, 1936), cat. 346.
    [2] Naiji Zhang (also known as N.C. Chang) was a businessman, born to a prestigious family in Zhejiang that made their wealth in the silk and salt industries. He collected ancient Chinese art objects and Chinese coins. Zhang amassed his collection whilst living in Shanghai, before leaving for America in 1938, and acquired his objects onsite of archeological excavations (see: Alfred Salmony, Chinese Jade through the Wei Dynasty. New York: The Ronald Press Company, 1963: 115.). C. T. Loo & Company, New York held Zhang’s collection on consignment from 1940 to 1948.
    [3] Mei Chien Zhang, Zhang Naiji’s wife, assumed ownership upon his death in 1948. She sold several pieces from her husband’s collection to both C. T. Loo & Company (which later operated as Frank Caro Chinese Art) and J. T. Tai & Company. She sold to J. T. Tai & Company in July 1954 (for example, see J. T. Tai & Company Stock Record YT 886 and YT 895, copies in COM provenance files). It is unclear when C. T. Loo Chinese Art purchased items from Mei Chien Zhang. C. T. Loo Chinese Art was led by Frank Caro, the famed dealer C. T. Loo’s associate.
    [4] See note 3. On September 1, 1952, C. T. Loo’s associate, Frank Caro (1904-1980) took over daily operations of the New York business, operating at C. T. Loo Chinese Art. Loo continued to play a large role in the business, as he and Caro struck a deal in which profits made on Loo’s stock would be evenly divided and Loo would maintain the lease and rental payments on the company’s gallery space.
    [5] In 1961, Loo and Caro’s agreement ended. C. T. Loo & Cie., Paris, France took control of C. T. Loo Chinese Art, New York’s stock that C. T. Loo had added to the inventory before his death in 1957. Frank Caro then opened Frank Caro Chinese Art. Caro acquired pieces from Loo’s original stock (the mode of acquisition is unknown) and also featured jades with a Zhang provenance in his stock.
    [6] See note 3.
    J. T. Tai & Company sold 17 jades from Zhang’s collection to Dr. Singer (see: Reminiscences of a Transient Custodian,” ms. Paul Singer Papers, FǀS Archives, p.83-84). Singer purchased the majority of these jades in 1958 and 1959.
    [7] Dr. Paul Singer purchased the object from Frank Caro Chinese Art, C. T. Loo & Company, or J. T. Tai & Company. The collection of Chinese art and antiquities assembled by Paul Singer over time was purchased by him on behalf of Dr. Arthur M. Sackler, Jillian Sackler, The Arthur M. Sackler Foundation, the AMS Foundation for the Arts, Sciences, and Humanities and was later transferred to the children of Dr. Arthur M. Sackler.
    [8] The Dr. Paul Singer Collection of Chinese Art came into the custody of the Arthur M. Sackler Gallery, upon Paul Singer’s death in 1997 and a loan agreement in 2/1997
    [9] See “The Dr. Paul Singer Collection of Chinese Art Gift Agreement,” March 1999, FǀS COM Office. The object was formally accessioned into the museum collection in 2012.
  • Collection

    Arthur M. Sackler Collection
  • Exhibition History

    Anyang: China's Ancient City of Kings (February 25, 2023 to April 28, 2024)
    One Man’s Search for Ancient China: The Paul Singer Collection (January 19 to July 7, 2013)
    International Exhibition of Chinese Art (November 28, 1935 to March 7, 1936)
  • Previous custodian or owner

    Zhang Naiji 張乃驥 (1899-1948)
    Zhang Mei Chien (1900-1998)
    C.T. Loo Chinese Art (1953-1961)
    Frank Caro Chinese Art (1962-1980)
    J. T. Tai & Co. (established in 1950)
    Dr. Paul Singer (1904-1997)
  • Origin

    Anyang, probably Henan province, China
  • Credit Line

    The Dr. Paul Singer Collection of Chinese Art of the Arthur M. Sackler Gallery, Smithsonian Institution; a joint gift of the Arthur M. Sackler Foundation, Paul Singer, the AMS Foundation for the Arts, Sciences, and Humanities, and the Children of Arthur M. Sackler
  • Type

    Jewelry and Ornament
  • Restrictions and Rights

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