Moon over Daimotsu Bay: Benkei from the series One Hundred Aspects of the Moon (Tsuki hyakushi) 「大物海上月 弁慶」 『月百姿』

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At A Glance

  • Period

    January 1886
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (overall): 37.3 x 25 cm (14 11/16 x 9 13/16 in)
  • Accession Number

    S2004.3.313
  • EDAN ID

    edanmdm:fsg_S2004.3.313

Object Details

  • Artist

    Tsukioka Yoshitoshi 月岡芳年 (1839-1892)
  • Label

    A full moon illuminates this haunting image of the Buddhist priest Benkei, a loyal follower of the warrior Minamoto no Yoshitsune (1159-1189), as he stands calmly at the prow of a ship. Benkei holds a rosary in his right hand as he invokes the powers of the Buddhist deities to protect the ship from the deadly storm that arose after Yoshitsune had set off by sea to evade the forces of his half brother, Minamoto no Yoritomo (1147-1199). Above the waves appear the vengeful ghosts of the Taira warriors who had died in the naval Battle of Dannoura (1185) that had ended their five-year war with the rival Minamoto family. Benkei's prayers calmed the ghosts, whose voices could be heard in the wind. Benkei's stillness contrasts with the threatening waves and the shadowy, translucent clouds, which represent better than the ghosts in more literal representations of this scene the intersection between danger and imagination. This story was performed in no dramas, but was first enacted in kabuki in November 1885, an event that may have inspired this design for Yoshitoshi's famous series, One Hundred Aspects of the Moon (Tsuki hyakushi).
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Masterful Illusions: Japanese Prints from the Anne van Biema Collection (September 15, 2002 to January 9, 2003)
  • Origin

    Japan
  • Credit Line

    The Anne van Biema Collection
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

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