The Actors Iwai Shijaku I as Hisamatsu and Osome
Terms of Use
Usage Conditions ApplyAt A Glance
-
Period
1833 -
Geography
Japan -
Material
Ink, color, silver mica and brass on paper -
Dimension
H x W (overall): 37.3 x 50.3 cm (14 11/16 x 19 13/16 in) -
Accession Number
S2004.3.286a-b -
EDAN ID
edanmdm:fsg_S2004.3.286a-b
Object Details
-
Artist
Shunbaisai Hokuei (active 1829-1837) -
Label
Tragic love affairs, which often ended in double suicides, attracted deep public sympathy both onstage and in life. The love-suicide of Osome and Hisamatsu, which took place in the first decade of the eighteenth century, was so widely known that it quickly became a subject of popular ballads and kabuki plays. This beautiful diptych by the Osaka artist Hokuei conveys much of the emotional resonance of the play's performance in Kyoto in 1833. Iwai Shijaku I (1804-1845) played both principal roles as well as others for a total of seven in this performance. In this print, the actor is shown playing both lovers, who are each betrothed to another. Onstage, they would appear alternately, appearing and disappearing behind the stage set. The graffiti on the plaster wall of the storehouse gives the names of the lovers beneath an umbrella, followed by oatari (great hit) and "Iwai Shijaku of Kyoto." The design and the exquisite printing of this diptych make it one of Hokuei's finest theatrical prints. -
Collection
National Museum of Asian Art Collection -
Exhibition History
Masterful Illusions: Japanese Prints from the Anne van Biema Collection (September 15, 2002 to January 9, 2003) -
Origin
Japan -
Credit Line
The Anne van Biema Collection -
Type
Print -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.
Keep Exploring
-
Related Resources
-
Date
-
Name
-
Place
-
Topic
-
Culture
-
Object Type