The Actor Nakamura Utaemon III as Taira no Tomomori
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
1831 -
Geography
Japan -
Material
Ink and color on paper -
Dimension
H x W (overall): 37.2 x 24.7 cm (14 5/8 x 9 3/4 in) -
Accession Number
S2004.3.279 -
EDAN ID
edanmdm:fsg_S2004.3.279
Object Details
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Artist
Ryusai Shigeharu 柳斎重春 (1803-1853) -
Publisher
Wataya Kihei 綿屋喜兵衛 (ca. 1809-1885) -
Label
One of the most famous plays in the kabuki repertoire is Yoshitsune and the Thousand Cherry Trees (Yoshitsune sembon zakura). Originally written for the puppet theater, the play liberally rearranges history in its account of the tragic rivalry between the Taira and Minamoto warrior families in the late twelfth century. In the play, after the defeat of the Taira forces in the Battle of Dannoura (1185), Taira no Tomomori (1151-1185), who committed suicide in the historic battle, lives on and disguises himself as his own ghost to attack Yoshitsune's ship. He is stopped by the power of the Buddhist monk, Benkei, a loyal follower of Yoshitsune. Utaemon wears the blue makeup that is customary for ghost roles. With arrows piercing his armor, he makes his final stand. The fine composition and printing in this image gives it a high artistic quality and finesse. -
Collection
National Museum of Asian Art Collection -
Exhibition History
Staging the Supernatural: Ghosts and the Theater in Japanese Prints (March 23 to October 6, 2024)Masterful Illusions: Japanese Prints from the Anne van Biema Collection (September 15, 2002 to January 9, 2003) -
Origin
Japan -
Credit Line
The Anne van Biema Collection -
Type
Print -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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