Witty Matchings of the Thirty-Six Poets (Mitate Sanjurokkasen no uchi)

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1852, 7th month
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (overall): 36.2 x 25.3 cm (14 1/4 x 9 15/16 in)
  • Accession Number

    S2004.3.146
  • EDAN ID

    edanmdm:fsg_S2004.3.146

Object Details

  • Artist

    Utagawa Kunisada 歌川国貞 (1786-1865)
  • Label

    In this print, Ichikawa Danjuro VI is depicted in the role of Arajishi Otonosuke in a play dealing with the troubles of the Date clan in the fourteenth century. He wears the striking kumadori stage makeup that was introduced by Danjuro I in the late seventeenth century. He holds an iron-framed fan that he used as a weapon in the play to thwart Nikki Danjo, the villain who transformed himself into a rat to steal a scroll. This print is one of a series created by Kunisada in 1852, when he produced a large number of half-length actor portraits. In this series, each actor is matched with one of the Thirty-six Poets, in this case Mibu no Tadamine (flourished 898-920). The poem alludes to the rat-day of the New Year when pine seedlings were gathered as auspicious symbols of longevity:
    Rat-day festivities-
    if there were no pine saplings in the fields
    to serve as a symbol of long life
    what would we have to pull up?
    Translation of poem by John T. Carpenter
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Masterful Illusions: Japanese Prints from the Anne van Biema Collection (September 15, 2002 to January 9, 2003)
  • Origin

    Japan
  • Credit Line

    The Anne van Biema Collection
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring