Portrait of the Actor Ichikawa Yaozo III as Agemaki's Sukeroku

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1802:3
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (overall): 37 x 25.1 cm (14 9/16 x 9 7/8 in)
  • Accession Number

    S2004.3.104
  • EDAN ID

    edanmdm:fsg_S2004.3.104

Object Details

  • Artist

    Utagawa Toyokuni I 歌川豊国 (1769-1825)
  • Label

    The role performed by Ichikawa Yaozo III (1747-1818) is that of Sukeroku, a dashing, romantic character who eventually defeats rivals for the courtesan Agemaki's affection. Although set in the Yoshiwara pleasure quarter of Edo, the characters Sukeroku and his younger brother, Shimbei, are understood to represent the Soga brothers, Goro and Juro, in their vendetta to avenge their father's murder. This half-length portrait by Toyokuni, a leading designer of actor prints in the late eighteenth and early nineteenth centuries, shows the actor assuming a strong pose typical of the masculine aragoto acting style developed by Edo actors. The play Sukeroku: Flower of Edo (Sukeroku yukari no Edo zakura) has been a favorite of kabuki fans since its first performance by Ichikawa Danjuro II in the early eighteenth century. Performance of the play came to be a specialty of the Ichikawa Danjuro family line of actors; it was included in The Kabuki Eighteen (Kabuki juhachiban), a collection of the most successful plays of the Ichikawa Danjuro family. Actors from other families followed suit to make collections of their most important plays, thus establishing their link to a specific core repertoire of plays and roles.
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Masterful Illusions: Japanese Prints from the Anne van Biema Collection (September 15, 2002 to January 9, 2003)
  • Origin

    Japan
  • Credit Line

    The Anne van Biema Collection
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring