Shakkyō, from the series One Hundred Nō Plays

Detail of a pattern
Image 1 of 1
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1922-1927
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (image): 37.9 × 51.4 cm (14 15/16 × 20 1/4 in)
  • Accession Number

    S2003.8.2884
  • EDAN ID

    edanmdm:fsg_S2003.8.2884

Object Details

  • Artist

    Tsukioka Kogyo 月岡耕漁 (1869-1927)
  • Publisher

    Matsuki Heikichi 松木平吉
  • Label

    In Shakkyō, literally “stone bridge,” the Japanese priest Jakushō (ca. 962–1034) is traveling in China and chances upon a storied stone bridge, where he encounters a boy. The boy suddenly stops Jakushō as he begins to cross the bridge, telling the priest the land beyond the bridge is the realm of the bodhisattva Manjushri. He reveals that no mortal should cross. Soon after, two lions—the mounts of Manjushri—appear as the bodhisattva’s messengers. They break into a mesmerizing dance to celebrate Buddhist virtue and a peaceful realm.
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Staging the Supernatural: Ghosts and the Theater in Japanese Prints (March 23 to October 6, 2024)
  • Origin

    Japan
  • Credit Line

    Robert O. Muller Collection
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring