Picture of a Salesroom in a Foreign Mercantile Firm in Yokohama

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1861
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (image): 34.8 x 72.8 cm (13 11/16 x 28 11/16 in)
  • Accession Number

    S1998.44a-c
  • EDAN ID

    edanmdm:fsg_S1998.44a-c

Object Details

  • Artist

    Utagawa Sadahide 歌川貞秀 (1807-1873)
  • Label

    A Chinese merchant, one among a large community of men in Yokohama who worked as compradors and money changers, looks on from the right as Japanese and Western merchants struggle to conduct transactions. Sign language supplements their limited knowledge of each others' native languages. At left, in the back room, an international group of servants prepares food, including meat and fowl. Scholar Julia Meech has suggested that two triptychs, this image and Picture of a Mercantile Establishment in Yokohama (see S1991.152a-c) were designed to form a single composition with this triptych below the other.
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Japan After Perry: Views of Yokohama and Meiji Japan (April 1 to May 30, 2003)
    Yokohama: Prints from Nineteenth-Century Japan (May 27 1990 to January 10, 1991)
  • Origin

    Japan
  • Credit Line

    Gift of Ambassador and Mrs. William Leonhart
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring