Fragment from Maharaja Pratap Singh with ladies of the royal harem

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1780-1800
  • Geography

    Jaipur, Rajasthan state, India
  • Material

    Opaque watercolor, silver, and gold on paper
  • Dimension

    H x W: 46.4 x 44.5 cm (18 1/4 x 17 1/2 in)
  • Accession Number

    S1997.70
  • EDAN ID

    edanmdm:fsg_S1997.70

Object Details

  • Patron

    Pratap Singh (1764-1803; reign 1778-1803)
  • Artist

    Sahib Ram (ca. 1740-1800)
  • Court

    Jaipur Court
  • School/Tradition

    Rajput school
  • Label

    This fragment from what was once a full-size portrait of the Jaipur ruler Pratap Singh (reigned 1779-1803) focuses the viewer's attention on the royal women who cluster around the king's body. With hands decorated in red henna, the women grasp gold wine flasks, lift drinking cups to smiling lips, and caress their sinuous tresses. In court painting as well as poetry, the beautiful women who attended a king were testaments to his charisma and power.
    The Sackler fragment offers a rare opportunity to view the work of Sahiba Ram. Many Jaipur paintings, and certainly ones of this caliber, remain inaccessible within the collection of that Rajasthan court.
  • Provenance

    1780-1800-?
    Pratap Singh (1764-1803; reign 1778-1803), commission from Sahib Ram (ca. 1740-1800) in Jaipur, India [1]
    ?-?
    Unidentified family, Jaipur, India and the United States [2]
    ?-1997
    Terence McInerney Fine Arts, Ltd. (active 1990-2013), New York, NY, method of acquisition unknown [3]
    From 1997
    Arthur M. Sackler Gallery, purchase from Terence McInerney Fine Arts, Ltd. [4]
    Notes:
    [1] This painting is attributed to Sahib Ram (ca. 1740-1800) who was one of the chief royal painters under the Maharaja of Jaipur, Pratap Singh (1764-1803; reign 1778-1803). See object information sheet from Terence McInerney Fine Arts, Ltd., dated April 18, 1997, copy in object file.
    [2] See note 1. On the object information sheet from Terence McInerney Fine Arts, Ltd., the provenance for this object is described as “Ex-collection: a family of Jaipur jewelers now settled in the USA. This painting left India well before 1970.”
    [3] See “Incoming Receipt,” dated April 18, 1997, copy in object file. The object was transferred from Terence McInerney Fine Arts, Ltd. to the Arthur M. Sackler Gallery for acquisition consideration on April 18, 1997.
    See also Terence McInerney Fine Arts, Ltd. invoice issued by Terence McInerney, dated December 16, 1997, copy in object file. Object is described as “The Royal Ladies of Maharaja Pratap Singh.”
    Terence McInerney Fine Arts Ltd. (active 1990-2013) in New York, NY, specialized in Indian and Islamic paintings and occasionally three-dimensional metal and wooden objects. Founded by Terence G. McInerney, his prior firm was the Greater India Company, Inc. (active 1974-1991) in Cambridge, MA.
    [4] See Arthur M. Sackler, “Acquisition Consideration Form,” approved on December 16, 1997, copy in object file.
    Research updated July 31, 2023
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Arts of Mughal India (2004) (August 21, 2004 to February 6, 2005)
    Changing Tastes: Indian Paintings of the 18th and 19th Century (December 17, 2000 to July 15, 2001)
  • Previous custodian or owner

    Terence McInerney Fine Arts, Ltd. (active 1990-2013)
  • Origin

    Jaipur, Rajasthan state, India
  • Credit Line

    Purchase — Smithsonian Unrestricted Trust Funds
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring