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At A Glance

  • Period

    9th-10th century
  • Geography

    Iraq
  • Material

    Earthenware painted with cobalt pigment on opaque glaze
  • Dimension

    H x Diam (overall): 4.2 x 14 cm (1 5/8 x 5 1/2 in)
  • Accession Number

    S1997.108
  • EDAN ID

    edanmdm:fsg_S1997.108

Object Details

  • Label

    In ninth-century Iraq, potters began to explore the decorative potential of letters and words to embellish surfaces. The white bowl, inscribed with the work of Umar belongs to one of the earliest groups of signed ceramic vessels from the Islamic world.
  • Provenance

    ?-2005
    Mr. and Mrs. Osborne (1914-2004) and Gratia Hauge (d. 2000) [1]
    From 2005
    The National Museum of Asian Art, Smithsonian Institution, by gift of Osborne and Gratia Hauge, and Victor and Takako Hauge [2]
    Notes:
    [1] The Hauge family began collecting Asian paintings, sculpture, and ceramics in the late 1940s and would amass a large collection in the post-World War II years.
    [2] Ownership of collected objects sometimes changed between members of the Hauge families. See Deed of Gift, dated October 16, 2005, copy in object file. From 2005-2023 the work was part of the National Museum of Asian Art’s Arthur M. Sackler Gallery Collection and on March 21, 2023, the work was internally transferred to the National Museum of Asian Art Collection.
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Sky Blue: Color in Ceramics of the Islamic World (Saturday, July 16, 2016 - Sunday, April 02, 2017)
    Iraq and China: Ceramics, Trade, and Innovation (December 4, 2004 to July 17, 2005)
    Asian Traditions in Clay: The Hauge Gifts (October 29, 2000 to April 22, 2001)
  • Previous custodian or owner

    Mr. and Mrs. Osborne and Gratia Hauge ((1914-2004) and (1907-2000))
  • Origin

    Iraq
  • Credit Line

    Gift of Osborne and Gratia Hauge
  • Type

    Vessel
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

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