No. 3 Cave Temple in Ellora

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1932
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W: 27.5 x 40.9 cm (10 13/16 x 16 1/8 in)
  • Accession Number

    S1996.29
  • EDAN ID

    edanmdm:fsg_S1996.29

Object Details

  • Artist

    Yoshida Hiroshi 吉田博 (1876-1950)
  • Label

    The caves at Ellora are numbered in a sequence that runs from south to north at the site. Cave 3 was a Buddhist assembly hall with massive columns. Yoshida appears to have selected a lateral view of the entrance area, where visitors walk toward the dark interior from the sunlit entranceway at right. The artist excelled at representing the effects of light through printing techniques that employed many layers of color.
  • Provenance

    To 1996
    Henry Edwin Robison (1913-2008), Palo Alto, CA, to 1996
    From 1996
    Arthur M. Sackler Gallery, given by Henry Edwin Robison in 1996
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Yoshida Hiroshi: Japanese Prints of India and Southeast Asia (August 1 to October 17, 1999)
  • Previous custodian or owner

    Henry Edwin Robison (1913-2008)
  • Origin

    Japan
  • Credit Line

    Gift of H. Ed Robison in memory of Katherine W. Robison
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring