Approach to Agra No. 3

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1932
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (image): 24.7 x 37.6 cm (9 3/4 x 14 13/16 in)
  • Accession Number

    S1996.24
  • EDAN ID

    edanmdm:fsg_S1996.24

Object Details

  • Artist

    Yoshida Hiroshi 吉田博 (1876-1950)
  • Label

    To see and sketch the Taj Mahal at Agra was Yoshida's primary objective on this journey to India. He created this print of the great monument as seen from the outskirts of the city the year after his return to Japan. The buildings and minarets of the white marble tomb built by the Mughal Emperor Shah-Jahan (reigned 1628–58) for his beloved wife Mumtaz Mahal stand majestically beyond a dry riverbed where a caravan passes. In the rainy season, the river rises to the edge of the stately buildings.
  • Provenance

    To 1996
    Henry Edwin Robison (1913-2008), Palo Alto, CA, to 1996
    From 1996
    Arthur M. Sackler Gallery, given by Henry Edwin Robison in 1996
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Yoshida Hiroshi: Japanese Prints of India and Southeast Asia (August 1 to October 17, 1999)
  • Previous custodian or owner

    Henry Edwin Robison (1913-2008)
  • Origin

    Japan
  • Credit Line

    Gift of H. Ed Robison in memory of Katherine W. Robison
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring