Image 1 of 2
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1950
  • Geography

    Mashiko, Tochigi prefecture, Japan
  • Material

    Stoneware with wood-ash and iron glazes
  • Dimension

    H x W x D: 5.6 x 19.5 x 20 cm (2 3/16 x 7 11/16 x 7 7/8 in)
  • Accession Number

    S1989.31
  • EDAN ID

    edanmdm:fsg_S1989.31

Object Details

  • Artist

    Hamada Shoji (1894-1978)
  • Label

    Hamada Shoji was a cofounder, with philosopher and critic Yanagi Soetsu (1889-1961) and potter Kawai Kanjiro, of the Japanese Folk Craft Movement. In 1926 they coined the term mingei to designate 'crafts of the common people,' which they admired for their strength and simplicity. In his own work Hamada took as his model the sturdy forms, local materials, and simple decorations of Japanese folk pottery. The checkerboard pattern of this molded dish was created by wax resist using two glazes from Mashiko, where Hamada resided after 1924. One is a clear glaze made from wood ash and limestone; the other is tinted brown with iron from ground volcanic stone.
  • Collection

    National Museum of Asian Art Collection
  • Exhibition History

    Paper and Clay from Modern Japan (January 20 to March 31, 1991)
  • Origin

    Mashiko, Tochigi prefecture, Japan
  • Credit Line

    Gift of Idamae Burati
  • Type

    Vessel
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring