Bodhisattva Holding a Lotus Bud
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
10th century, possibly early 11th century -
Geography
China -
Material
Pigment in stucco -
Dimension
H x W: 62.5 x 61 cm (24 5/8 x 24 in) -
Accession Number
S1987.223 -
EDAN ID
edanmdm:fsg_S1987.223
Object Details
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Provenance
Possibly originally located in the Kuan-Yin Temple of Yu Vouen-sang, Henan province, China [1]From 1923 to at least 1949C. T. Loo & Company, Paris and New York, 1923 [2]From at least 1972 to 1987Dr. Arthur M. Sackler (1913-1987), New York, from at least 1972 [3]From 1987Arthur M. Sackler Gallery, gift of Dr. Arthur M. Sackler on September 11, 1987 [4]Notes:[1] A related painting in the Honolulu Academy of Arts’ collection (acc. no. 2692) supposedly came from the Kuan-Yin Temple of Yu Vouen-sang, Henan province. This information is based on notes on the original registrar card. In an article published in 1928, Osvald Sirén stated that the provenance of these wall paintings was said to be Yu Vouen-sang but he noted that “this information may or may not be correct,” see Osvald Sirén, “The Chinese Pavilion of C. T. Loo & Co. and Its Fresco Paintings,” Pantheon (November 1928), pp. 548-549.[2] In his introduction to Chinese Frescoes of Northern Sung, exh. cat. (New York: C. T. Loo, Inc., 1949), C. T. Loo described the circumstances of his acquisition of the exhibited wall paintings, including Bodhisattva and Dark-skinned Figure (exhibited under cat. 14).According to this account, during his visit to China in 1923 Loo received information from his supplier about wall-paintings’ fragments in a ruined temple somewhere near the Henan-Shanxi border.After negotiations with local authorities, the wall paintings were removed from the debris and Loo transferred them to Paris. See also Laurence Sickman, “An Early Chinese Wall-Painting Newly Discovered,” Artibus Asiae vol. 15, no. 1/2 (1952), pp. 137-144.By 1928 the paintings were installed in Loo’s gallery in Paris, see Osvald Sirén 1928, pp. 544-552.According to Sickman, they were brought to New York in 1948.[3] The painting was accessioned to Arthur M. Sackler’s collection in 1972.[4] Pursuant to the agreement between Dr. Arthur M. Sackler and the Smithsonian Institution, dated July 28, 1982, legal title of the donated objects was transferred to the Arthur M. Sackler Gallery on September 11, 1987. -
Collection
Arthur M. Sackler Collection -
Exhibition History
The Arts of China (November 18, 1990 to September 7, 2014) -
Previous custodian or owner
C.T. Loo & Company (1914-1948)Dr. Arthur M. Sackler (1913-1987) -
Origin
China -
Credit Line
Gift of Arthur M. Sackler -
Type
Painting -
Restrictions and Rights
Usage Conditions Apply
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