Image 1 of 1
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1931
  • Geography

    China
  • Material

    Ink on paper
  • Dimension

    H x W (image): 24.3 × 52 cm (9 9/16 × 20 1/2 in)
  • Accession Number

    S1987.216
  • EDAN ID

    edanmdm:fsg_S1987.216

Object Details

  • Artist

    Qi Baishi 齊白石 (1864-1957)
  • Calligrapher

    Zhou Huangxi
  • Label

    The painting depicts six shrimps swimming toward the lower left corner. Qi Baishi's inscription, which includes a dedication to Mr. Zhou Huangxi, is signed Qi Huang, the name given to Qi by his teacher, Hu Zichuo, in 1889. The painting is not dated, but the inscription in the upper left, written in tiny characters by Zhou Huangxi, describes the circumstances under which Qi Baishi executed the composition for him. The inscription says:
    "In the year 1931, I and Baishi both resided in Peking, visiting each other quite often. One day the old gentleman saw the white fan in my hand, laughed and said to me: 'Why not paint a few brushstrokes on it?' So he took the fan, rapidly painted several shrimp with a big brush and returned the fan to me. He seemed very pleased with his painting. The ink shrimp was the old gentleman's specialty. With just a few brushstrokes, it seemed alive. This fan painting is really one of his best examples. In the year 1961, Zhou Huangxi recorded at Qingang.'"
  • Provenance

    1931-?
    Zhou Huangxi, acquired from the artist in Peking (present-day Beijing), China [1]
    ?-?
    Ownership information unknown [2]
    By 1968-1987
    Arthur M. Sackler (1913-1987), method of acquisition unknown [3]
    From 1987
    Arthur M. Sackler Gallery, gift of Dr. Arthur M. Sackler [4]
    Notes:
    [1] According to the inscription on the object written by Zhou Huangxi in 1961, Zhou Huangxi and Qi Baishi both resided in Peking (present-day Beijing) in 1931 and visited each other often. During one visit in 1931, Qi Baishi took this fan from Zhou Huangxi and painted the six shrimp onto it. Since Zhou Huangxi’s inscription is dated 1961 and the Arthur M. Sackler collection number “68.5.1” was assigned to this object, it is likely that this object transferred ownership sometime in or after 1961 before entering Sackler’s collection in 1968.
    [2] See note 1.
    [3] See note 1.
    Dr. Arthur M. Sackler was a physician, medical publisher, pharmaceutical marketer, and collector of Asian art.
    [4] Pursuant to the agreement between Dr. Arthur M. Sackler and the Smithsonian Institution, dated July 28, 1982, legal title of the donated objects was transferred to the Arthur M. Sackler Gallery on September 11, 1987.
    Research updated January 30, 2023
  • Collection

    Arthur M. Sackler Collection
  • Exhibition History

    The Arts of China (November 18, 1990 to September 7, 2014)
    Pavilions and Immortal Mountains: Chinese Decorative Art and Paintings (September 28, 1987 to February 28, 1988)
  • Previous custodian or owner

    Zhou Huangxi
    Dr. Arthur M. Sackler (1913-1987)
  • Origin

    China
  • Credit Line

    Gift of Arthur M. Sackler
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring