Folios from a Qur'an; Double-page frontispiece, sura 1, verses 1-7

Detail of a pattern
Image 1 of 5
IIIF

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At A Glance

  • Period

    circa 1550
  • Geography

    Iran
  • Material

    Opaque watercolor, ink and gold on paper
  • Dimension

    H x W (.1): 42.5 × 27.2 cm (16 3/4 × 10 11/16 in)
  • Accession Number

    S1986.82.1-2
  • EDAN ID

    edanmdm:fsg_S1986.82.1-2

Object Details

  • Description

    Two folios of a Qur'an; Illuminated frontispiece, folio (1): right-hand half of a double-page frontispiece, recto: Shamsa, Dibacha; verso: Sura I, "The Opening," verses 1-5; folio (2): left-hand half of a double-page frontispiece, recto: Sura I, "The Opening," verses 5-7; verso: Sura II, "The Cow," verses 1-7.
    Border: The text is set in illuminated rulings on a paper with geometric motifs.
  • Inscriptions

    Inscriptions: (dibacha) Say: Verily, through mankind and the jinn should; assemble to produce the like of this Koran, they could not; produce the like thereof though they were helpers one of another; [Sura XVII: 88]. Verily God the High and Exalted tells the truth andpraise be to God the beneficent.
  • Provenance

    ?-1942
    Henri Vever (1851-1942), method of acquisition unknown [1]
    1942-1947
    Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [2]
    1947-1986
    Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [3]
    From 1986
    The National Museum of Asian Art, by purchased from Francois Mautin [4]
    Notes:
    [1] An accomplished French jeweler and collector, Henri Vever amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. This object was in Vever's collection at the time of his death in 1942.
    [2] Upon Henri Vever's death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the object. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.
    [3] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family's assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as "The Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts." This object is part of that collection. See exhibits F and G as cited in note 3.
    [4] The Museum purchased the entirety of the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file. This work is part of the Museum’s Arthur M. Sackler Gallery Collection.
    Research updated on June 27, 2024
  • Collection

    Arthur M. Sackler Collection
  • Exhibition History

    The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts (October 22, 2016 to February 20, 2017)
    Le Chant du monde: L'Art de l'Iran safavide, 1501-1736 (October 05, 2007 to January 07, 2008)
    Arts of Mughal India (2004) (August 21, 2004 to February 6, 2005)
    Hunt for Paradise: Courts Arts of Safavid Iran, 1501-1576 (October 16, 2003 to June 27, 2004)
    The Divine Word of Islam (July 4, 1993 to January 2, 1994)
    Crushed Lapis and Burnished Gold: The Art of Illumination (June 9 to December 8, 1991)
    Variations on a Script: Islamic Calligraphy from the Vever Collection (February 18 to September 16, 1990)
    A Jeweler's Eye: Islamic Arts of the Book from the Vever Collection (November 20, 1988 to April 30, 1989)
  • Previous custodian or owner

    Henri Vever (1854-1942)
    Francois Mautin (1907-2003)
  • Origin

    Iran
  • Credit Line

    Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
  • Type

    Manuscript
  • Restrictions and Rights

    Usage Conditions Apply

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