Habib al-siyar (Beloved of virtues) by Muhammad Khwandamir (died ca. 1533-37)

Detail of a pattern
Image 1 of 5
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca.1590-1600
  • Geography

    Qazvin, Iran
  • Material

    Opaque watercolor, ink, and gold on paper
  • Dimension

    H x W: 41.3 x 26.6 cm (16 1/4 x 10 1/2 in)
  • Accession Number

    S1986.57
  • EDAN ID

    edanmdm:fsg_S1986.57

Object Details

  • Description

    Manuscript; Habib al-siyar (Beloved of virtues) by Khwandamir; Persian in black, red, and gold nasta'liq script, headings in white; 247 folios with 2 double-page illuminations ( fols. 1 verso-2 recto, and 149 verso-150 recto), 2 sarlawhs (1 verso and 149 verso), 3 paintings (15 recto, 35 recto, 203 recto), and 5 folios of gold landscape and animal motifs (1 recto, 15 verso, 35 verso, 149 recto, and 203 verso), and 2 seals (1 recto, 148 verso); standard page: 20 lines of text.
    Binding: The manuscript is bound in nineteenth-century red leather over paper pasteboards with inlaid medallions signed by Mulla Kabuli Munajjid and dated 1819-20 (1235 A.H.). The doublures are of gilt block-stamped over a blue colored paper ground.
  • Inscriptions

    Book cover: The work of Mulla Kabuli Munajjid, the binder [A. H.] 1235 [A.D. 1819-20]; seals; (fol. 1recto, oval) Shahsavar [A.H.] 1267 [A.D. 1850-51]; (oval) The veil was uncovered from truth for Yusuf by God; [truth]. In this way Ahmad [Muhammad] was given to us by the creator.
    Affixed to exterior binding, along spine, small round sticker: "H 87 34" written in black ink
    First flyleaf, recto, upper left "Vente Homberg" written in pencil
    First flyleaf, recto upper left "Ancien 87 [underlined] 1931 ap.xxx"
    First flyleaf, recto upper left "34 [underlined] -- 1933 pr.sxx"
    Affixed to First flyleaf, recto,middle upper, small circle sticker: "168" written in black ink
    First flyleaf, recto, bottom right "58" circled and written in pencil
    First flyleaf verso, middle page "104 Habib-al Siar Miniature et Sarlow" written in pencil
    First fly leaf, verso, middle page "D £ LAI" and "£ VII" written in pencil
    First fly leaf, verso, middle page "1 Sarloh 3 peintures 5 dessins à l'encre d'or " written in pencil
    First fly leaf, verso, top of page "XVI Siècle"
    First fly leaf, verso, top of page "Ancien no. 87 Homberg 1ere vente = 20000"
    First fly leaf, verso, top of page "Nouveau no. 34 Homberg 2e Vente (1933) = pisxx" written in pencil
    First fly leaf, verso, top of page "H. Vever [underlined] apxxx pisxx" written in pencil
    Affixed to last flyleaf, verso near binding, rectangular card "Ancien no= 87 vente de Juin 1931" written in black ink "87" is stenciled
    Affixed to last flyleaf, verso, near binding, rectangular card "Homberg" written in pencil
    Affixed to last flyleaf, verso near binding, rectangular card "apxxx" written in pencil
    Affixed to verso of last flyleaf, near binding, rectangular card illegible, written in pencil -- "n" and other letters
    Affixed to verso of last flyleaf, near binding, rectangular card "nouveau no. 34 mars 33 Lisxx"
    Last flyleaf verso, top of page "Oct. Homberg" written in pencil
    Last flyleaf verso, top of page "ancien no. 87" written in pencil
    Last page verso, top of page, "no. 34" underlined twice in pencil
  • Provenance

    Possibly to 1907
    Possibly Octave Marie Joseph Kérim Homberg Sr. (1844-1907), method of acquisition unknown [1]
    Likely 1907-1931
    Octave Marie Joseph Kérim Homberg Jr. (1876-1941), possibly by inheritance from his father, Octave Marie Joseph Kérim Homberg Sr. [2]
    1931
    Sale, Paris, Galerie Georges Petit, "Catalogue des tableaux anciens : objets d'art et de haute curiosité européens et orientaux ... la collection de Octave Homberg," June 3, 2, & 5, 1931, lot 87 [3]
    1931-1933
    Unidentified collector, likely purchased at Galerie Georges Petite Auction [4]
    1933
    Sale, Paris, Hôtel Drouot, "Objets d'art de curiosité et d'ameublement, européens et orientaux, antiques, moyen-âge, Renaissance, XVIIIe siècle ... Provenant de la Collection d'un Amateur" March 15 and 16, 1933, lot 34 [5]
    1933-1942
    Henri Vever (1854-1942), likely purchased at the 1933 Hôtel Drouot sale[6]
    1942-1947
    Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [7]
    1947-1986
    Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [8]
    From 1986
    Arthur M. Sackler Gallery purchased from Francois Mautin [9]
    Notes:
    [1]Octave Homberg Senior was Censor of the Bank of France before becoming the Director of the Société Générale, one of the oldest banks in France. He amassed a diverse collection of fine arts, which included medieval European sculpture, Islamic manuscripts, and
    objects . Upon his death, he bequeathed the majority of his collection to his son, Octave Homberg Jr. What he did not bequeath to Homberg Jr., was sold via auction at Galerie Georges Petit on May 11-16, 1908, in Paris, France.
    [2] Octave Homberg Jr. was a French diplomat, banker, writer, and collector. As one of France's foremost financiers, he served as the French financial agent in the United States and part of the Anglo-French Commission. In the early 1930s, Homberg fell into financial trouble and in 1931, he sold most of his art collection, the majority of which he had inherited from his father. It is
    possible that Homberg Senior bequeathed this manuscript to his son, Homberg Jr., see note 1.
    [3] Galerie Georges Petit, "Catalogue des tableaux anciens : objets d'art et de haute curiosité européens et orientaux ... la collection de Octave Homberg" [auction catalogue] (Paris, June 3-5, 1931), lot 87. See annotations from this auction on the recto of last folio.
    [4] See note 5.
    [5] Hôtel Drouot, "Objets d'art de curiosité et d'ameublement, européens et orientaux, antiques, moyen-âge, Renaissance, XVIIIe siècle ... Provenant de la Collection d'un Amateur" [auction catalogue] (Paris, March 15 and 16, 1933), lot 34. See annotation about this auction on the recto of the last folio of the manuscript.
    [6] An accomplished French jeweler and collector, Henri Vever (1854-1942) amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. This work was in Vever's collection at the time of his death in 1942.
    [7] Upon Henri Vever's death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the work. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.
    [8] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family's assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as "Th34e Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts." This work is part of that collection. See exhibits F and G as cited in note 7.
    [9] The Arthur M. Sackler Gallery purchased the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file.
    Research completed June 11, 2022
  • Collection

    Arthur M. Sackler Collection
  • Exhibition History

    A Jeweler's Eye: Islamic Arts of the Book from the Vever Collection (November 20, 1988 to April 30, 1989)
  • Previous custodian or owner

    Francois Mautin (1907-2003)
    Jeanne Louise Monthiers (1861-1947)
    Henri Vever (1854-1942)
    Octave Marie Joseph Kérim Homberg Sr. (1844-1907)
  • Origin

    Qazvin, Iran
  • Credit Line

    Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
  • Type

    Manuscript
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring