Folio from an album; recto: Scene from the Story of Gur and Gobind; verso: calligraphy
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
ca. 1760 -
Geography
India -
Material
Opaque watercolor and ink on paper -
Dimension
H x W (overall): 34.8 x 23 cm (13 11/16 x 9 1/16 in) -
Accession Number
S1986.457 -
EDAN ID
edanmdm:fsg_S1986.457
Object Details
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Provenance
?-1934Albert Besnard (1849-1934), method of acquisition unknown [1]1934Sale, Paris, Galerie Charpentier, “Collection Albert Besnard: Sculptures et bibelots antiques, sculptures du Moyen Ȃge et des temps modernes, tableaux anciens, maquettes, arts du Proche et du Moyen-Orient, bronzes, laques, peintures, gravures," May 31 and June 1, 1934, lot 166 [2]Likely 1934 -1942Henri Vever (1854-1942), likely purchased at the Albert Besnard sale [3]1942-1947Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [4]1947-1986Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [5]From 1986Arthur M. Sackler Gallery purchased from Francois Mautin [6]Notes:[1] Paul-Albert Besnard, known professionally as Albert Besnard was a French painter and print maker active in Paris during the late 19th and early 20th centuries. Throughout his career, Besnard developed a collection of old master and modern paintings, sculpture, and works on paper. His collection included numerous Islamic manuscripts and Indian paintings. Besnard was part of a group of connoisseurs, which included Henri Vever (see note 3), that appreciated and studied Persian and Indian Paintings.[3] Galerie Charpentier, “Collection Albert Besnard: Sculptures et bibelots antiques, sculptures du Moyen Ȃge et des temps modernes, tableaux anciens, maquettes, arts du Proche et du Moyen-Orient, bronzes, laques, peintures, gravures," [auction catalogue](Paris, May 31 and June 1, 1934), lot 166. The work is described as "Trois femmes implorant un Ermite afin qu’il guérisse un guerrier blessé. Art hindou de la fin du XVIIs.”[4] An accomplished French jeweler and collector, Henri Vever (1854-1942) amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. The annotation on the work’s matting reports that Vever acquired this work in 1934, likely at the Galerie Charpentier sale. This object was in Vever's collection at the time of his death in 1942 (see note 2).[5] Upon Henri Vever's death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the object. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.[6] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family's assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as "The Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts." This object is part of that collection. See exhibits F and G as cited in note 3.[7] The Arthur M. Sackler Gallery purchased the entirety of the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file.Research updated on May 2, 2023. -
Collection
Arthur M. Sackler Collection -
Previous custodian or owner
Albert BesnardHenri Vever (1854-1942)Jeanne Louise Monthiers (1861-1947)Francois Mautin (1907-2003) -
Origin
India -
Credit Line
Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler -
Type
Painting -
Restrictions and Rights
Usage Conditions Apply
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