Humayun and Akbar

Detail of a pattern
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At A Glance

  • Period

    ca. 1900
  • Geography

    India
  • Material

    Opaque watercolor, ink, and gold on paper
  • Dimension

    H x W (overall): 31 x 21.3 cm (12 3/16 x 8 3/8 in)
  • Accession Number

    S1986.442
  • EDAN ID

    edanmdm:fsg_S1986.442

Object Details

  • Court

    Mughal Court
  • School/Tradition

    Mughal school
  • Description

    Detached album folio; text: Persian in black, red, gold, and white nasta'liq script; recto: Humayun and Akbar, inscription at the bottom of page reads Humayun Padishah, Akbar Padishah; verso: calligraphic panel, two couplets.
    Border: the recto is set in gold rulings in a dark blue border with floral motifs mounted on gold-sprinkled paperboard; the verso is set in gold rulings surrounded by a foliate scroll, mounted on gold-sprinkled paperboard.
  • Marks

    Verso: Akbar, written in black ink
    Verso: Humayoun, written in black ink
    Verso: Arabic inscriptions
    Old matting, wooden backing: trimmed down, rectangular sticker from CH. HÉRIOT, 15, Rue du Delta – FABRIQUE DE
    CADRES ET ENCADREMENTS, PASSE-PARTOUT
    Old matting, wooden backing: on CH. HÉRIOT sticker, Vever, written in blue pencil
    Old matting, wooden backing: on CH. HÉRIOT sticker, Baber pnxx axx, written in pencil
    Old matting, wooden backing: on CH. HÉRIOT sticker, Akbar, Baber et Humayun, written in pencil
    Old matting, wooden backing: on octagonal sticker with blue border, Mr. Vever., written in black ink
    Old matting, wooden backing: on octagonal sticker with blue border, portraits Baber Akbar et Humayoun written in pencil
    Old matting, wooden backing: on octagonal sticker with blue border, paxx (?)
    Old matting, recto: Princes Akhbar et Humaïouun written in black ink
    Old matting, recto: Akhbar et Humaioun written in pencil
    Old matting, recto: 75 V, written in pencil
    Old matting, recto: H. Vever written in black ink
    Old matting, recto: pazx, written in pencil
    Old matting, recto: le - illegible text, written in pencil
    Old matting, recto: pencil markings obscured by red ink
    Old matting, recto: 328A, written in pencil
    Old matting, recto: très bien
    Old matting, recto: no. 75, written in pencil
    Old matting, recto: 2 pièces recto et verso, written in pencil
    Old matting, recto: pnxx OR puxx + axx = ~
    Old matting, verso: Vever 328B, written in pencil
    Old matting, verso: Vever 328A, written in pencil
    Old matting, recto: Prince Baber, written in black ink
    Old matting, recto: Baber pnxx OR puxx, written in pencil
    Old matting, recto: 62 pox, written in pencil and scratched out Old matting, recto: 3, written in black ink
    Old matting, recto: 62 pox, written in pencil and scratched out Old matting, recto: 3, written in black ink
  • Inscriptions

    Bottom page, Humayun Padishah; Akbar Padishah
    Bottom page, Humayun Padishah; Akbar Padishah
  • Provenance

    By 1903-1942
    Henri Vever (1854-1942), method of acquisition unknown [1]
    1942-1947
    Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [2]
    1947-1986
    Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [3]
    From 1986
    National Museum of Asian Art, Smithsonian Institution, purchased from Francois Mautin [4]
    Notes:
    [1] See Gaston Migeon et al, “Exposition des arts Musulmans: Catalogue descriptif" [exhibition catalogue] (Paris, Société française d’Imprimerie et de Librairie, 1903), no. 847. The publication cites Vever as the owner and describes the work as “Portraits au trait, crayon rehaussé d’or, des princes mongols; à droite, Baber; à gauche, Akbar et Humayoun.”An accomplished French jeweler and collector, Henri Vever amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. This object was in Vever's collection at the time of his death in 1942.
    [2] Upon Henri Vever's death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the object. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.
    [3] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family's assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as "The Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts." This object is part of that collection. See exhibits F and G as cited in note 3.
    [4] The Arthur M. Sackler Gallery purchased the entirety of the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file. The work is part of the Museum’s Arthur M. Sackler Gallery Collection.
    Research updated February 2, 2024.
  • Collection

    Arthur M. Sackler Collection
  • Previous custodian or owner

    Henri Vever (1854-1942)
    Jeanne Louise Monthiers (1861-1947)
    Francois Mautin (1907-2003)
  • Origin

    India
  • Credit Line

    Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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